A Quote by Gaby Hoffmann
Suburbia, to me, was the most fantastical, unusual place. I thought it was Disneyland.
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Michael Eisner contacted me once and asked me if he could change the name of Disneyland to 'Braffland.' I said no, because whenever I go to Disneyland there's always fat people everywhere wearing tight clothes. Disneyland, frankly, has a lot of improving to do before it gets my namesake.
[Suburbia] represents, after all, the greatest misallocation of resources in the history of the world. We built it during our most affluent period of history, and in the decades to come we will be comparatively destitute collectively. In short, we will not have the resources to retrofit most of suburbia.
I think what I want Disneyland to be most of all is a happy place - a place where adults and children can experience together some of the wonders of life, of adventure, and feel better because of it.
I think what I want Disneyland to be most of all is a happy place...
Consider how badly-built suburbia is. Many business buildings are not designed to outlast their tax depreciation periods, and the McHouses are made of particle board, vinyl siding, and stapled-on trim. A lot of suburbia will simply become the slums of the future. Most of the rest will be salvage or ruins.
We exist because of suburbia. Suburbia is a freak’s dreamworld, a world of extra rooms upstairs and long, lazy afternoons with no interference. A place where you can listen to your LPs for hours on end. You can live in your room, your own rent-free corner of the universe, and create a world of pleasure and interest entirely centered on yourself and your interior aesthetic and logic.
To all who come to this happy place: Welcome. Disneyland is your land. Here age relives fond memories of the past, and here youth may savor the challenge and promise of the future. Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America; with the hope that it will be a source of joy and inspiration to all the world.
I grew up loving fantasy, adventure, and children's book series. At the time, I was in a place in LA where I wasn't working and I kind of thought to myself, "What do I really want to do? Like, what kind of role would be really exciting for me?" And I sort of thought about being in an adventurous, magical, fantastical world and a character that was powerful and sophisticated and perhaps even a dandy, that might have even passed in my head, and then I got an audition for the show ["The Magicians"] shortly after.
Society's mores have changed, and what used to be thought not to be cruel and unusual now is thought to be cruel and unusual.
We did it Disneyland, in the knowledge that most of the people I talked to thought it would be a financial disaster - closed and forgotten within the first year.
I surround myself with fantastical things because it makes it a little easier to write fantastical stories.
I must admit that the existence of Disneyland (which I know is real) proves that we are not living in Judaea in 50 AD. . . . Saint Paul would never go near Disneyland. Only children, tourists, and visiting Soviet high officials ever go to Disneyland. Saints do not.
Whenever I was encouraged by my elders to pick up a book, I was often told, 'Read so as to know the world.' And it is true; books have invited me into different countries, states of mind, social conditions and historical epochs; they have offered me a place at the most unusual gatherings.
It is most unusual to return to a place that has changed in ways you yourself have altered.
Afraid no, I wasn't afraid but it was an unusual thing, it was an unusual feeling. It was an unusual atmosphere for me having grown up in this country and, and, and never seeing anything like that.
I think that the invasion of suburbia, our homes and our families, by this indefatigable, unstoppable force like zombies is frightening and personal. And it's so much more frightening than a national park like Disneyland being invaded by Martians. I think that's the enduring appeal of zombies.
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