A Quote by Gaby Hoffmann

If you're working opposite an actor who can act, then all you have to do is listen and respond. — © Gaby Hoffmann
If you're working opposite an actor who can act, then all you have to do is listen and respond.
If you're working in close-ups, then an actor is only able to act with his head. I like an actor to act with their entire body.
Of course I was excited to be working opposite Irrfan, but I didn't feel the urge to scream 'Oh my god!' or behave like a fan-girl. If he's an actor then so am I. Having said this, he is an incredible actor and has tremendous screen presence.
If I do a scene with an actor who doesn't have much experience, I say, 'I tell you what we're going to do: You just listen to me, and then you respond. We don't have to do any acting.' And that's good advice because you shouldn't see the acting.
Listening is the key to total concentration. You listen as the character would listen, closing the door on everything else. Then you are ready to respond.
Unfortunately, when you're an actor you have to act. It's not like you can sit in your living room, your bedroom, your study or whatever and act with yourself. It requires having somebody to respond to.
I often have the feeling that acting is really not difficult, because all I do is I just listen. I just listen. I just listen to what there is. And if there's nothing, then I listen to nothing. If there's a chair, and it's empty, I listen to an empty chair, and I will respond to it.
When people respond too quickly, they often respond to the wrong issue. Listening helps us focus on the heart of the conflict. When we listen, understand, and respect each other's ideas, we can then find a solution in which both of us are winners.
I'm a working actor, and I'm really appreciative to be a working actor, but it's another level when you're a working actor with the likes of Sarah Paulson and Angela Bassett.
Working with Jean-Claude is a lot of fun. Because he's a great actor who also happens to be a fighter. That combination doesn't usually come together anymore. Usually, you have to fight the stunt double and then act against the actor. In his case, you are fighting with a real guy. It takes a minute to get used to that. Because it doesn't happen any more.
I would say for our straight allies, your job is to listen and not judge. Then, listen and not act.
I used to listen to what others said, and expect them to act accordingly. But nowadays, I listen to what they say, and then observe what they do.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
As a working-class actor, leaving school with no qualifications, being a printer and then becoming an actor and then working with people who to a certain extent had had a leg up. I never had that advantage. It's less an artistic need to express myself and more a need to prove myself.
Listen to your instincts, then do the opposite.
Why does a woman carry a gun? Because, under our system, every citizen has the latitude to act in the absence of police; the latitude to act reasonably, to act immediately, to act in defense of self, to act in defense of another, to act with lethal force, to act with her acquired training and to act not in anger but to respond in purpose. To exercise the protections of that latitude in public policy, public interest and practical safety, all that is demanded of her is that she act reasonably under the circumstances.
I'll just put it this way: I've struggled enough as a working actor - and, most of the times, a not working actor - to know that anytime you are working is a blessing.
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