A Quote by Gaby Hoffmann

I made a lot of movies that people loved when I was a kid, but I didn't have any real relationship to them. — © Gaby Hoffmann
I made a lot of movies that people loved when I was a kid, but I didn't have any real relationship to them.
I loved all movies, literally. I certainly loved 'Shane' and 'Roxie Hart.' Later on, when I was less of a kid, I loved 'L'Avventura' and 'Persona' and all Fellini movies and like everybody else I loved John Ford. Then and now, I loved Preston Sturges, maybe above anyone.
I've loved vampires since I was a kid, or loved a lot of the vampire movies that I saw. Anything with sharp teeth, really. I remember you could get those fake vampire teeth, and I remember just keeping them in all the time.
I guess a lot of things I make are relationship movies. Maybe all movies are relationship movies, because they're all about how we relate to each other.
I make the joke, all the time, that if you have the word "man" and a number in the title, like Batman 2, Spider-Man 2 or Iron Man 12, you'll get it made. The kind of movies I make, studios don't make them. I've made a lot of movies, and at Castle Rock, we've made 125 movies. None of them get made at a studio. I've got to scrounge around for money, every time. I just like to tell stories. I'm a storyteller, so I want the most people to see it.
I think there are a lot more relationship scenes in my movies that people tend to overlook. A lot of scenes really feel real and are about the characters.
I know that I loved music before I loved movies, simply because I didn't see movies as a kid.
As a kid, a little kid I loved going to the movies, and now I love making movies.
As a kid, a little kid, I loved going to the movies, and now I love making movies.
I've always loved movies since I was a kid. I loved how they could make me happy, sad, or just show me different parts of the world and people. So when I was about six, I decided that that was what I wanted to do: make movies.
Those movies, Decline I and II and Suburbia, are dearly loved, but they never made any money. I didn't even have the rights for some of them.
Ive always loved movies since I was a kid. I loved how they could make me happy, sad, or just show me different parts of the world and people. So when I was about six, I decided that that was what I wanted to do: make movies.
There are a lot of movies that are badly made that I love, and there are a lot of movies that are just beautifully made but I don't like them. And critics have a tendency - that's all they focus on, which is, "I like it. I don't like it. It's good. It's bad."
There's been a lot written and said about my family. A lot of specials, a lot of movies. I essentially don't watch any of them. I don't read any of them. I keep that away.
I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.
I never was that boy who loved gangster films, but when I was growing up, I was obsessed with the detective Dick Tracy. It was one of my favourite movies as a kid, and he really inspired me. I would have loved to be part of that golden age of Hollywood in the 1940s. It made me want to become an actor.
The thing that runs through the British film industry even today is a lot of unsung movies are financially the bigger ones. Even though they weren't always the greatest of movies, something in them was very potent which people loved.
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