A Quote by Gaby Hoffmann
We all got driven out of Manhattan. It was a very conducive place for artists when I was growing up, and now it's definitely not. The city has been completely taken over by the rich.
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Houston's a very big town. It's changed a lot over my lifetime, it's quite a bit bigger now than it was when I was growing up, but it's a fantastic city. I know a lot of people perhaps don't give it the credit it's due but it's a wonderful city that's got absolutely fantastic restaurants.
When I lived in Pinetop I just wanted to leave - I thought the city was where I belonged. But now that I'm living in the city, I love it for what it is. It's brought me closer to my art and put me in the right place as far as having people around me. It's very inspiring, but I miss our little town. There's something very simple and beautiful about growing up in a small place. That's where my heart is, for real.
[Buckminster] Fuller's idea of progress is a very 1950s organization man out of the military sort of idea of progress. So as a result, you have something like: we've got bad weather in New York City; let's put a dome over it. And so I don't want to put a dome over Manhattan and I hope that nobody who ends up reading the book wants to do so as a result.
Art has been hijacked by nonartists. It's been taken over by bookkeeping. The whole thing is so corrupt. But I suppose that's okay. For artists, everything is grist for the mill. Artists are like cockroaches; we can't be stamped out.
Well, very long ago, on the spot where the Wild Wood waves now, before ever it had planted itself and grown up to what it now is, there was a city - a city of people, you know. Here, where we are standing, they lived, and walked, and talked, and slept, and carried on their business. Here they stabled their horses and feasted, from here they rode out to fight or drove out to trade. They were a powerful people, and rich, and great builders. They built to last, for they thought their city would last for ever.
Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.
New York has arguably become the quintessential 1 percent city, a city that has been so given over to the rich that you now have to be rich to live here. Or not live here: New York's also a preferred destination for foreign money spent on vast, lifeless apartments in the sky that are occupied a couple of weeks a year at most.
Baltimore's often called the most northern Southern town. It has a distinct essence. It's definitely post-industrial, definitely Rust Belt, very working-class. I grew up outside of Washington, and I felt I was moving to a completely different place when I moved 30 miles north out of college.
To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
I had never really felt settled in Brooklyn. I think it had to do with growing up in New Jersey and being someone who her whole life wanted to live in the city, and the city meant Manhattan.
I love Seattle, but I am definitely excited to be in a new place. Growing up there and then living in an apartment in the city for seven years, I just felt stagnant.
I lived in Manhattan for 12 years and grew up outside New York City, so that was definitely how I saw the center of the world.
If you can play at a higher level, it's great. But Melbourne City, the club's growing, it's got everything now with the facilities and the professionalism here is first class so it's not a bad place to be at all.
I am sure that the experience of growing up in the heart of the working class and learning from my parents, and especially from my grandmother (who also worked on a barge boat as a cook and a servant for rich folks in Manhattan, Newport, Grosse Point, and Sewickley, all havens of the very rich), that life was not especially fair and always full of bad possibilities, helped shape my future take on life. Then what really transformed my thinking was the war in Vietnam and trying to be a good teacher.
With my childhood and growing up in a very free place where my parents were artists and always encouraging me to explore, you wouldn't think I was locked up in my own mind, but I was.
At night, what you see is a city, because all you see is lights. By day, it doesn't look like a city at all. The trees out-number the houses. And that's completely typical of Seattle. You can't quite tell: is it a city, is it a suburb, is the forest growing back?
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