A Quote by Gad Elmaleh

My dream is not Hollywood, but to perform my act in English to 30 people in a Soho comedy club, to show New Yorkers what they look like from the French point of view. — © Gad Elmaleh
My dream is not Hollywood, but to perform my act in English to 30 people in a Soho comedy club, to show New Yorkers what they look like from the French point of view.
A New York doctor has finished a five year study on what smells have the biggest effect on New Yorkers. The smell New Yorkers like the most: vanilla. The smell New Yorkers like the least: New Jersey.
I don't like comedy that I think is bad comedy, where people are trying to be sick for the sake of it, where there's no intellectual point behind it. I like stuff that's got an underlying point of view.
The film The Conquest will be seen on many different levels and the American point of view is always more technical. The French are less technical - it's 'I like it, or I don't like it.' I hope that this film can have a life in the U.S. - it's the grand country of cinema. I grew up with Hollywood movies, so for a French director to have a film distributed in the U.S. is a real opportunity.
I was living under a desk in West Hollywood. It was a closet that I shared with another comic. I was shocked when they called me to come in to try out for the show. The chances of me getting on a TV show and winning it is like one-in-a-million. I had only been doing comedy for six years at that point, so I was basically considered an open mic-er or maybe a feature act once in awhile.
The car is absolutely central to our approach. Everything we do begins with the automobile, whether it's old, new, bizarre, weird, strange, or cool. We're not going out to make a comedy show, and that's great, certainly from my point of view because obviously I'm totally obsessed with cars and I don't really like people.
Belgium is half French-speaking and half Flemish, and I was born on the French side. So we spoke it a lot - like, in kindergarten, it was almost all French. But then I moved to New Zealand when I was 10, where we obviously spoke English all the time, so I lost the French a little bit.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
I went from silent films to watching French new wave cinema. I became entrapped by it all. That's when I knew I wanted to do film. The moment you start looking at film from a critique point of view - there's a difference between watching a film as an audience and with a critical point of view.
I never dream in French, but certain French words seem better or more fun than English words - like 'pois chiches' for chick peas!
There are lots of podcasts that look at films from the audience's point of view. There are also plenty that look at it from the combatants' point of view. It's invariably the case that the less likely you are to have heard of the people talking, the more interesting they'll be.
I do an act, and I've been doing an act for 50 years. I do a variety show, which is a musical comedy show. I do comedy, and I do singing, Broadway show tunes and different songs that I like. Been doing it for many, many years.
New Yorkers, we've seen Donald Trump for, like, 30 years; we know who he is. So he wasn't a surprise to me.
I've always been inspired by Dr. Martin Luther King, who articulated his Dream of an America where people are judged not by skin color but "by the content of their character." In the scientific world, people are judged by the content of their ideas. Advances are made with new insights, but the final arbitrator of any point of view are experiments that seek the unbiased truth, not information cherry picked to support a particular point of view.
From the point of view of physics, it is a miracle that [seven million New Yorkers are fed each day] without any control mechanism other than sheer capitalism.
This is going to sound pretentious, but I like comedy that addresses something I find either worrisome or interesting in my life. I like Louis C.K.'s stuff or Bill Burr's stuff. I feel like there's comedy where someone will think of something that they think will work comedically, and then they reverse engineer that point of view so they can say that funny thing. The comedians I like, it could be an allusion, but it feels like their point of view comes first and then the jokes are a reflection of what they actually believe, or are frightened of, or are curious about, or are interested in.
I think the process of 'SNL' is still pretty formal. You make an audition tape, your agent sends it in, they watch people's tapes, and then they invite people to perform at a comedy club in Los Angeles or New York. But I don't know how much actual scouting they do online.
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