A Quote by Gael Garcia Bernal

In order to do 'Amores Perros,' I had to skip some time at drama school, so the director Alejandro Gonzalez Inarritu came up with a great Latin American solution, which was to say I had a tropical disease and had to stay in Mexico for a while. Everyone believed me.
When a director shifts gears as often as does Alejandro Gonzalez Inarritu, the man behind the emotionally rich debut film 'Amores Perros,' you may wonder if he knows what he wants.
I'm a huge fan of the director, Alejandro González Iñárritu, and his work, and I knew he was going to be an amazing actor's director, based on the performances that I saw in his movies.
[Alejandro González Iñárritu] went from Birdman to this - these are incredible ledges that he's stepping out on in making these films [The Revenant]. I think his only threat for best director is Room, to be honest.
Amores Perros" and "Once Were Warriors" had a tremendous visceral quality that really influenced me.
In Mexico, there are good filmmakers, but they didn't always have the opportunity to show their work. But since 'Amores Perros,' many of these filmmakers had the opportunity to show their films, and they have a newfound energy for cinema.
Spending time with Mexican-born writer and director Alejandro Gonzalez Inarritu, you'd never guess that he's the filmmaker behind a series of movies known as the 'Death Trilogy.' The way he dotes on his children and talks about his wife makes it clear that he has a crackling passion for life.
I have a real thing for Mexican directors. And I love Guillermo del Toro and Alejandro Gonzalez Inarritu.
'Birdman' is a very risky movie. I knew I wanted to do it just from watching Alejandro's other work. I told a friend, 'I would have done it based on 'Amores Perros' alone.'
I want to work with Darren Aronofsky, Damien Chazelle, Alejandro Gonzalez Inarritu and, of course, Majid Majidi.
Alexander Gonzalez Inarritu is a great director. He's the one I first worked with. He's amazing.
No, I had no problem communicating with Latin American heads of state - though now I do wish I had paid more attention to Latin when I was in high school.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
Wherever primitive man put up a word, he believed he had made a discovery. How utterly mistaken he really was! He had touched a problem, and while supposing he had solved it, he had created and obstacle to its solution. Now, with every new knowledge we stumble over flint-like and petrified words and, in so doing, break a leg sooner than a word.
At drama school, a casting director asked the class to walk round the room one at a time, and we had to imagine who they might be. The two before me were described as a doctor and a businessman, but when it came to me, they said homeless person. That was when I thought I'd better do something about my appearance!
I ended up dropping out of high school. I'm a high school dropout, which I'm not proud to say, ... I had some teachers that I still think of fondly and were amazing to me. But I had other teachers who said, 'You know what? This dream of yours is a hobby. When are you going to give it up?' I had teachers who I could tell didn't want to be there. And I just couldn't get inspired by someone who didn't want to be there
I never went to school for that. In high school we had photography, which was great. That was another moment of discovery. I had a great teacher - I can't even remember her name now. I ended up going to boarding school for my last high school years and they had a dark room there. Of course there was curfew; you were supposed to be in bed at a certain time. But I would sneak out and sneak into the dark room and work all night.
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