A Quote by Gael Garcia Bernal

I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
There's room for everyone, and everyone is wanted and needed. Whoopi showed me that. When I first saw 'The Color Purple,' it was so huge. That was the first time I had seen myself, my mother, my aunts, women that I had known my whole life on-screen. It gives us hope, and it gives us confidence.
I've always been a huge Butthole Surfers fan. The first time I saw them was in the early '80s when all they had out was their first EP. I thought they were amazing. They've always been a huge influence and one of my all-time favorite bands.
When I first heard that a comet was going to hit Jupiter, my reaction was, 'Eh. So what? Jupiter's huge. Comets are small. And so when I saw the first impact site and it was huge and dark, I was flabbergasted.
I've been to the Met Ball and the Tonys, but Cannes is particularly huge. Every time at these big events, it's just - whoa. Because at the end of the day, I'm a guy from Devonshire who grew up on a farm who loves his dog.
Everybody said that a film that funny can't win because normally your Cannes winner will be something more serious. It's not very often that a film that's bordering on comedy has won in Cannes.
Once a film is selected at Cannes, the crossover becomes very easy, thanks to the prestige and dignity it gains at Cannes.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
Probably my first memory of theatre, the first one I guess that had an impact on me was when I saw my very first panto with my Primary School. I think just going there and experience that for the first time, being so young, it's something that's actually stuck with me right up until now. And to think back and to sort of remember that magic and that first little hint of it was brilliant.
The film's success so far involves winning a couple of prizes at Cannes and Sundance, and getting some very nice reviews in newspapers and magazines. That hasn't had a big impact on my life yet.
Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.
'Devdas' is the first Hindi commercial film to be seen at Cannes. And 'Hum Dil De Chuke Sanam' is getting a whole lot of appreciation abroad. I'm pleased.
I always go to the Cannes Film Festival and it's just such a glamorous time.
I actually remember getting asked when we were at the Cannes Film Festival, what I expected to do next. I remember feeling like there was no way I could've imagined that something like Tetro would have happened to me.
It took Cianfrance 12 years to bring 'Blue Valentine' to the screen after he first conceived it. He found Gosling and Williams early on, and they hung in there with him. The film finally premiered at Sundance 2010, then screened at Cannes and the Toronto Film Festival before landing in theaters in December.
The first time that I came to Cannes, I think it was in 1953, I was 18 and unknown.
The first time I went to Cannes, Gus Van Sant was there in competition with 'Last Days.'
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