A Quote by Gael Monfils

I keep like simple thing in my head, so obviously is working. Then it's luck. To be honest, look at set point. I hit one of the worst drop shots I ever hit and he hit a frame It's pure luck, you know, to haven't drop a set. So you need to have it sometime, and I hope I will have more.
I don't really set personal goals for home runs or anything like that. However many I hit, I hit. If I'm making consistent contact and hitting the ball hard, then I will hit home runs.
An album is not like an hour-long DJ set, you know, hit after hit and then build up to one big climax.
Golf is the crack of sports. If you hit five good shots, you know you can hit six good shots. The next time you hit six good shots, you know you can hit seven.
Keep your head on the ball. You've got to hit it first, then look where it goes. People get in trouble when they look for where the ball's going, and they haven't even hit it yet.
If you have an important point to make, don't try to be subtle or clever. Use a pile driver. Hit the point once. Then come back and hit it again. Then hit it a third time - a tremendous whack.
It's been my experience in politics that you can try and plan it out: 'I'm going to hit the three ball which will hit the eight ball.' You've just got to go run and try to do everything right. And then have a little luck.
I felt like looking at the season to this point, we probably hadn't taken enough shots downfield to loosen thing up, ... It does serve a purpose even if you don't hit it. There's nothing that will get a cornerback to back off a little bit than knowing he got beat even if you hit it or not.
If it turns out to be a hit, well, good luck dealing with fame. And if it's not a hit and you can still survive and make music you believe in, well, then you're truly blessed. I think that's where we are now.
The best passing drill is pass - set - hit. The best setting drill is pass - set - hit. The best hitting drill is pass - set - hit... Anything less than a game situation, unless very well planned, has the possibility of introducing artificial situations, and complete transfer to the game might not occur when drills are constructed in this manner.
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
I believe more in precision, when you have the capability, like when you see a mosquito fly and you're able to hit it, you're able to hit it with a couple of short sharp shots... it's a beautiful thing.
You can hit a nail on the head, or cause a machine to do so, and get a fairly predictable result. Hit a dog on the head, and it will either dodge, bite back, or die, but it will never again react in the same way. We can predict only those things we set up to be predictable, not what we encounter in the real world of living and reactive processes.
I hit an exercise - arms and legs, a set of curls, a set of tricep pushdowns, and then grab the bar and squat 40-20-30 and do it over again. I hit that a couple times through, then go in the sauna. I'll do a couple calf raises, then hop on a treadmill at 15 - the highest incline it can have while maintaining a fast-paced walk.
He doesn't like to be hit. Not that anybody likes to be hit, but Brock for whatever reason has shown much more of a dramatic response to the negativity of those shots. To the point where he's not asleep, it isn't like he got knocked out, he's not getting dropped, but he just turns his face away from adversity.
You don't have to hit perfect shots all the time here. The variety of shots you get to play, the shots you sometimes have to hit along the ground, it's just a lot of fun to me.
When you're writing is when the "god should I just drop this" feeling can hit. When you're editing is when the "god this is awful and I've wasted everyone's time and money and will be revealed as a fraud" feeling can hit.
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