A Quote by Gael Monfils
Like all designers, sometimes my mood can be very flashy, but sometimes it can be dark. Or happier. It all depends on my mood.
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Sometimes I write from personal experience, but so much depends on what mood I'm in. If I'm in a good mood, I'll write happier songs.
Sometimes I'm in a bad mood, sometimes I'm in a good mood. It's like everyone else.
I don't always know what's going to go on in terms of the mood of the story. Sometimes I start with the mood, but sometimes I just try to work toward discovering it. But I do think often there's a mood or unsettling quality, in which the reality of the world seems to be taken away, that I really love, and it's something that I almost always unconsciously move toward.
Sometimes I can be tactful and sometimes not. It all depends on the mood I'm in.
I always improvise with the crowd. Sometimes it will be a 50 percent show, sometimes 70 percent, sometimes it's almost a whole show where I wing it. It depends on my mood, the energy in the room. For sure, a portion of it is just kind of winging it.
Sometimes people try to read into my strip and find out what my state of mind is. And I can say if I'm in a good mood, generally the comic strip starts out in a good mood, but the punchline is very negative and sour.
Sometimes I wake up, and I'm a little bit grumpy, and I listen to soul. Sometimes I wake up, and I need some spirit, so I listen to rock n' roll. It depends on the mood I'm in.
My style is definitely schizophrenic; it does change from day to day a lot. It depends on my mood: sometimes I'll be going through a girly, childlike stage and wear a pretty lace dress with a bow in my hair. Then sometimes I'll be moody and just wear black.
I'm in a mood, Dave. A bad mood, a very bad mood! I was fired from my ice cream truck job today! No more Fudgicles!
My idea of a perfect surrealist painting is one in which every detail is perfectly realistic, yet filled with a surrealistic, dreamlike mood. And the viewer himself can't understand why that mood exists, because there are no dripping watches or grotesque shapes as reference points. That is what I'm after: that mood which is apart from everyday life, the type of mood that one experiences at very special moments.
When I go on the set, I'm so rushed. When I see the actors at rehearsal, when I love it, I want to keep the mood - my mood and the actors' mood also. So I have to push the crew faster. I don't want to lose the mood.
I don't go out there and put on any sort of front for people. If I'm in a good mood, I appear in a good mood on TV, and if I'm in a bad mood, I just go out there and look like I'm in a bad mood.
What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood's a thing for cattle or making love or playing the baliset. It's not for fighting.
You know sometimes when you're in a really bad mood and you're not sure why? That's how I get sometimes.
The kind of music I like depends very much on my mood.
Every time I sit down in front of my piano, I like to improvise with the instrument. It depends on my mood of that day what kind of melodies and rhythms I am playing around. Sometimes, even before starting to play I already have a quite clear picture of a song I would like to compose, or at least the sound of it.
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