A Quote by Gael Monfils
You know, when you make the show, honestly, it's to entertain, but it's to win. So what's the point to make the show and lose actually?
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Daniel Radcliffe was actually a fan of the show and excited to be on it. Some of it is we've gone long enough that we're legitimate. Even if they don't know the show, they know we are a show and not some weird thing that's going to go away. Also, the more celebrities we get on BoJack show, the more it feels like a club to be in: "If Naomi Watts will make a fool of herself, I guess I can make a fool of myself, too."
The real things to know is that folks will stand to lose more than they will to win. That?s the most important percentage there is. I mean, if they lose, they?re willin? to lose everything. If they win, they?re usually satisfied to win enough to pay for dinner and a show. The best gamblers know that.
I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what I mean? I try to make it different every day.
It was actually the production group that ended up producing the show for us...Every musician, especially in the hip-hop community, you always make these show recaps or vlogs, and essentially what "Touring's Boring" was is, we tried to make our vlogs interesting and almost more like a TV show. That's how we got discovered by TV.
You can make the best show in the world, but if people don't actually turn it on and see it, they'll never know it's the best show.
I feel like... I don't have a wife, I don't have a kids, but... I see rappers and I'm like, I know that's fake. I know how much you make, this is all bullshit. But people are buying into it, and you shouldn't have that power. I'm legit trying to make honest moves so that all of us can grow. I want to make a show where my sister can work on and become a producer because she can't get in, no one's leting her. I want to make things where people can actually grow. A place where people can actually be honest.
To me, ultimately, martial arts means honestly expressing yourself. Now, it is very difficult to do. It has always been very easy for me to put on a show and be cocky, and be flooded with a cocky feeling and feel pretty cool and all that. I can make all kinds of phoney things. Blinded by it. Or I can show some really fancy movement. But to experience oneself honestly, not lying to oneself, and to express myself honestly, now that is very hard to do.
Let us ask ourselves seriously and honestly, 'What do I believe after all? What manner of man am I after all? What sort of show would I make after all, if the people around me knew my heart and all my secret thoughts?" What sort of show then do I already make in the sight of Almighty God, who sees every man exactly as he is?'
It's a combination, I think they want to know - it's for every show, which is I think networks want to know that you have a vision for where the show could go to make sure that it really is a show, that it's not just a one-off forty minute pilot, that it's an actual series.
My goal when I make my show is to make a show for women. I don't make a show for men.
Anytime you make a bet with the best of it, where the odds are in your favor, you have earned something on that bet, whether you actually win or lose the bet. By the same token when you make a bet with the worst of it, where the odds are not in your favor, you have lost something, whether you actually win or lose the bet.
The way I try to explain it the best is that if Critic A from publication A hates our show, and Critic B from publication B loves our show, what are we supposed to do with that? We have to just respect everyone's opinions and go on making the show we want to make. I've never worked on a show that was altered by critical reception. You just can't afford to do that. So in that regard, it's actually no different that working in theater. It's just a lot more voices.
People say they make movies to show what 'really happens.' But they only show what they choose to show.
When we make the show, we are always talking about how the show is really in between what we make and what the viewer thinks of it.
I kept thinking, 'Somebody has to make a food show that is actually educational and entertaining at the same time... a show that got down to the 'why things happen.' Plus, I hated my job - I didn't think it was very worthwhile
I kept thinking, 'Somebody has to make a food show that is actually educational and entertaining at the same time... a show that got down to the 'why things happen.' Plus, I hated my job - I didn't think it was very worthwhile.
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