A Quote by Gael Monfils

I create because I don't want to lose, and the ball is dead only on the second bounce. — © Gael Monfils
I create because I don't want to lose, and the ball is dead only on the second bounce.
When the passer's back foot hit the ground on his setup, I wanted the ball gone. If no one was open, if he had to buy time, I wanted him to bounce in place. And then I only wanted him scrambling as a last resort. When you bounce, you maintain your balance. When you start moving, you create an unnatural position for yourself. I want everything to be natural.
I don't want a new ball when I am bowling in the subcontinent. I want an old ball that can't get hit out of the ground. I want a ball that when I bowl doesn't have true bounce, so that the batsman can't hit it.
You have to create a habit of finding the right positions and knowing where the ball's going to bounce to.
If I lose the ball, I want to get on it as quickly as possible and make up for it, whereas before, I would hide away and maybe only look for the ball 10 minutes later. I don't want to give the defenders any break.
I don't believe in taking much of a divot, especially with the longer irons. You want to barely comb the grass through impact. It's the only way to catch the ball on the second groove up from the bottom of the clubface. That's where you want to make contact: on the second groove.
I'm a coach who likes to have the ball, but what I really think is, 'How can you be in charge of the game?' I think, but maybe I am the only one, that the defensive process can take care of the game. Why is that? Because teams wait to defend. If you create something where you go to defend, to steal the ball where you want, it's different.
Football is actually pretty limited and there are only really four phases: When you have the ball yourself, when the opponent has the ball and when you win the ball or lose the ball. That is football, really, there isn't more to it.
To show you how radical I am, I want carjackers dead. I want rapists dead. I want burglars dead. I want child molesters dead. I want the bad guys dead. No court case. No parole. No early release. I want 'em dead. Get a gun and when they attack you, shoot 'em.
If you lose your reason, you lose it into the hands of God....It's the only place where anything is safe. And when you're dead it's only what's there you'll have. Nothing else.
I want the ball for 90 minutes. When I don't have the ball, I go high pressing because I want the ball.
What you want is a comfortable environment that you feel you can invent in. Because film is such a lumbering, technical, huge, great Neanderthal thing, it's hard to create that little space of peace, and calm, and creativity, and ease. That's what you want the director to create for you, so that when you walk on the set, you forget all of that, and the fact that it's costing gazillions of dollars a second.
You're shooting the quarterback, and he drops back to pass the ball, and you see the ball leave his hand at 10 frames per second. At 7 frames per second, the ball's already gone.
When the effort is in question, the ball goes in different directions and the ball doesn't always bounce your way. When you're playing in the home of the NBA champions, it isn't going to be easy.
When you watch the top guys, you know there will be no drama all match. They're gonna wipe their face between points, they're gonna ask for balls, they're gonna choose the ball, they're gonna bounce the ball 200 times, they're gonna hit the ball, and that's it. That's the whole story.
As far as history goes I am dead. If there is something beyond I shall have to bounce back. I have found God, but he is insufficient. I am only spiritually dead. Physically I am alive. Morally I am free. The world which I have departed is a menagerie.
Basketball for me has always been a matter of rhythm - what you do bouncing the ball, how you bounce the ball, how you run, how you receive the ball to be in rhythm.
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