A Quote by Gaetano Pesce

The future is female, so women are invited, as they do, to take responsability in the world of politics, in the economics, in art — © Gaetano Pesce
The future is female, so women are invited, as they do, to take responsability in the world of politics, in the economics, in art
The future of life on earth depends on our ability to take action. Many individuals are doing what they can, but real success can only come if there's a change in our societies and our economics and in our politics. I've been lucky in my lifetime to see some of the greatest spectacles that the natural world has to offer. Surely we have a responsibility to leave for future generations a planet that is healthy, inhabitable by all species
I don't necessarily make much art myself, but after I wrote 'Warped Passages,' I was fortunate to get involved a little in the art world. I got invited to write a libretto for what we called a projective opera, and I also got invited to curate an art exhibit.
History has been male and the future is female. Leaning on women as a body and the female archetype, and not just women but men - we're asking men to dig deep and deconstruct their seat of privilege. Because this is an emergency. We're in threat of losing our homes, the future of our future generations, and the biological paradise that we're apart of. It's in the interest of all people that we lean on the feminine archetype in our movement forward.
If art is not to be life-enhancing, what is it to be? Half the world is feminine - why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity?
I also believe - and hope - that politics and economics will cease to be as important in the future as they have been in the past; the time will come when most of our present controversies on these matters will seem as trivial, or as meaningless, as the theological debates in which the keenest minds of the Middle Ages dissipated their energies. Politics and economics are concerned with power and wealth, neither of which should be the primary, still less the exclusive, concern of full-grown men.
It's important not to take yourself too seriously, ... and I think sometimes people take us a lot more seriously than we take ourselves, especially when it comes to politics. Politics, for me, is a reflection of the world I live in. But love is just as important as politics to me. They both exist in the world, you know? And if you don't reflect the entire world around you, then you're leaving something out.
The attraction of power we take for granted in politics.. But in economics...the thrust...is for pecuniary return, for money. And I have always felt that denies in the economic world a very large part of the motivation.
Economics and politics are so intertwined and interlinked that politics now, mainstream politics, extreme center politics, are little else but a version of concentrated economics. And this means that any alternative - alternative capitalism, left Keynesianism, intervention by the state to help the poor, rolling back the privatizations - becomes a huge issue. The entire weight of the extreme center and its media is turned against it, which in reality now is beginning to harm democracy.
Many of my books are written from a female perspective. I rather enjoy the take that women have on the world, and certainly I enjoy the conversations that women have.
Art has often been and continues to be considered transcendent. I see this as misguided and, in fact, a way of subverting the powerful voice art can be in global discussions about politics, economics, society, culture, religion and international relations.
My master's was in economics, and my Ph.D. was in philosophy, and I became a professor at USP. But after three years, I was invited to be secretary of finance for Sao Paulo mayor Marta Suplicy. They reached out to be because of my economics background.
There's a snobbery at work in architecture. The subject is too often treated as a fine art, delicately wrapped in mumbo-jumbo. In reality, it's an all-embracing discipline taking in science, art, maths, engineering, climate, nature, politics, economics.
I grew up with very much an appreciation of the creative side of things, but always knowing how much Wall Street, finance and economics really powered everything else, whether it's politics or the art world.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
I take full responsability...for what we did. It was the right thing to do.
When the nations of the world look upon the United States, they see a country which has achieved what they would all like to become one day. Whether it is in the field of science, art, music, agriculture, politics, economics or war, the United States is the leader.
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