A Quote by Gail Carriger

Alexia gave in to his demanding touch, but only, of course, because he sounded so pathetic. It had nothing, whatsoever to do with her own quickening heartbeat. — © Gail Carriger
Alexia gave in to his demanding touch, but only, of course, because he sounded so pathetic. It had nothing, whatsoever to do with her own quickening heartbeat.
Alexia had found pregnancy relatively manageable, up to a point. That point having been some three weeks ago, at which juncture her natural reserves of control gave way to sentimentality. Only yesterday she had ended breakfast sobbing over the fried eggs because they looked at her funny. The pack had spent a good half hour trying to find a way to pacify her. Her husband was so worried he looked to start crying himself.
As he gave a sleepy, growling groan, that hand disappeared under the sheet. Arizona's lips parted, and her heartbeat tripped up. She cleared her throat. "Spencer?" Freezing, without moving any other body part, he opened his eyes and met her gaze. She frowned at him. He didn't look super-startled, and he said nothing. He just started at her. With his hand still under there. "Yeah..." Semi-satisfied with his frozen reaction, she nodded at his lap. "You weren't going for a little tug, were you? Because as your spectator, I'd just as soon not see it." -Arizona and Spencer
Ever since her trip with Alexia to Scotland, Mrs. Tunstell had rather a taste for foreign travel. Alexia blamed it on the kilts.
Nothing in his touch said he considered her fractured, considered her damaged goods, and that gave her a freedom she wouldn't have believed possible.
His face set in grim determination, Richard slogged ahead, his fingers reaching up to touch the tooth under his shirt. Loneliness, deeper than he had never known, sagged his shoulders. All his friends were lost to him. He knew now that his life was not his own. It belonged to his duty, to his task. He was the Seeker. Nothing more. Nothing less. Not his own man, but a pawn to be used by others. A tool, same as his sword, to help others, that they might have the life he had only glimpsed for a twinkling. He was no different from the dark things in the boundary. A bringer of death.
Sometimes, when a person is truly lost in this world, suffocating inside her private bubble where all she can hear is her own droning heartbeat, a touch can be enough.
In my mind, I gave the woman gifts. I gave her a candle stub. I gave her a box of wooden kitchen matches. I gave her a cake of Lifebuoy soap. I gave her a ceilingful of glow-in-the-dark planets. I gave her a bald baby doll. I gave her a ripe fig, sweet as new wood, and a milkdrop from its stem. I gave her a peppermint puff. I gave her a bouquet of four roses. I gave her fat earthworms for her grave. I gave her a fish from Roebuck Lake, a vial of my sweat for it to swim in.
He closed his eyes as she put her hand on his shoulder, and in that instant, nothing else mattered. Not the song, not the place, not the other couples around him. Only this, only her. He gave himself over to the feel of her body as it pressed against him, and they moved slowly in small circles on the sawdust-strewn floor, lost in a world that felt as though it had been created for just the two of them.
It was a constant source of amazement to Alexia that the only thing she had ever done in her entire life that pleased her mama was marry a werewolf.
Of course, Sam [Fuller] was like, "No problem," because he treated it like a newspaper deadline. We worked long hours, often very late into the night, in his garage, which had been converted into an office. It was freezing cold outside and there was no heat in the garage, so he had a little space heater over by his side and I had a blanket that he graciously gave me to drape around my shoulders like a Navajo Indian. And he gave me cigars, too, of course.
Lord Maccon asked meekly, shifting against her in a manner that ensured she realized the nibbling had affected his outsides just as much as her insides. Alexia was partly shocked, partly intrigued by the idea that as he was naked, she might actually get to see what he looked like. She had seen sketches of the nude male, of course, for purely technical purposes. She was given to wonder if werewolves were anatomically bigger in certain areas.
Lord Maccon believed that if his trousers were on his legs, and something else was on his torso, he was dressed. The less done after that, the better. His wife had been startled to find that in the summertime, he actually went around their room barefoot! Once -- and only once, mind you -- he even attempted to join her for tea in such a state. Impossible man. Alexia put a stop to that posthaste.
But the actual touch of her lingered, inside his heart. That remained. In all the years of his life ahead, the long years without her, with never seeing her or hearing from her or knowing anything about her, if she was alive or happy or dead or what, that touch stayed locked within him, sealed in himself, and never went away. That one touch of her hand.
The reason why Matthew Arnold, to my feeling, fails entirely as a poet (though no doubt his ideas were good - at least, I am told they were) is that he had no sense of touch whatsoever. Nothing made any impression on his skin. He could feel neither the shape nor the texture of a poem with his hands.
Here's a tip. If you touch a girl, even as joke, and she pushes you off, leave... her... alone. Don't touch her. Anywhere! Just stop. Your touch does nothing but sicken her.
You had every right to be. He raised his eyes to look at her and she was suddenly and strangely reminded of being four years old at the beach, crying when the wind came up and blew away the castle she had made. Her mother had told her she could make another one if she liked, but it hadn't stopped her crying because what she had thought was permanent was not permanent after all, but only made out of sand that vanished at the touch of wind and water.
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