A Quote by Gail Carriger

I love stand-up comics, particularly those who have embraced podcasting. — © Gail Carriger
I love stand-up comics, particularly those who have embraced podcasting.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
Comics shouldn't be 'tools' for anyone's agenda except for the characters. And I am speaking only of super hero action comics. I love many of the alternative comics that are like journalistic stories. Documentary comics, a mix of reportage and fiction. Those are just great.
I always get a little bit pissed off when stand-up comedy is not recognised as being as good a craft as being an actor. We give Oscars to people and it's like, 'Aw, this person is the greatest person on earth', but being an actor is pretty easy in comparison to stand-up comedy. It's no surprise that several stand-up comics have gone on to become great actors. I don't know any great actors that have gone on to become great stand-up comics.
I liked radio, or podcasting. I like talking minus the camera and the script part. All those mediums are different, and they are all different with their pluses and minuses. I would say the podcast is my favorite because I like the freedom of podcasting. With podcasting you can really mess around with the form and the format. The pace of radio is very fast. Boom, boom, with a little six minute segment, then on to the next thing. With podcasts you can talk about something for 25 minutes if you like - there is a lot of artistic freedom with it.
It's very rare that stand-up comics have kids, because once they do, they stop doing stand-up.
The beautiful thing about podcasting is it's just talking. It can be funny, or it can be terrifying. It can be sweet. It can be obnoxious. It almost has no definitive form. In that sense it's one of the best ways to explore an idea, and certainly much less limiting than trying to express the same idea in stand up comedy. For some ideas stand up is best, but it's really, really nice to have podcasts as well.
I got into stand-up because I love stand-up. Specifically in stand-up, I love jokes. I love short, structured ideas and a punch line.
Oh yeah, I grew up with comics. You know, I always like to describe myself as a 'narrative junkie.' I love novels, I love comics, movies, TV. If it's a good story, I'm hooked.
I don't think stand-up is being appreciated as much as it could be and I don't think it has for a long time. There's some great stand-up comics who come to a town and if they're not a name, they don't attract a crowd but in reality there are brilliant people out there.
I like the freedom of podcasting. With podcasting you can really mess around with the form and the format. You can do as much time as you like without having to pause for commercials.
The reason I love comics and have collected them for 37 years is because I always wanted to be an illustrator and a writer - and comics are really the perfect blend of those two mediums.
When they first start doing comedy, new comics or even people that have only been doing it three or four years, they're doing an impersonation of a stand-up. This is what I think a stand-up should sound like.
I don't need to write comics for a living. I have movies and TV for that. I write comics for one reason and one reason only: I love comics. I love the form, the structure, the storytelling process, I love everything about it.
I am new to superhero comics, though growing up I read Archie comics, religiously. I've been doing a lot of catching up, reading what's out there and it's been wonderful to see what's going on in contemporary comics.
Any medium can only live up to the strengths of the people working in it. If it's been used to tell bad or boring stories, it's not a problem with comics; it's a problem with the writers of those comics.
I've always loved American stand-up. Richard Pryor is one of the main reasons I got into stand-up. After Pryor, I made my way through the other great American comics, then finally got into the British ones over here.
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