A Quote by Gail Carson Levine
I'm more interested in plot than theme, but I hope my values find their way into my stories: kindness, sympathy, effort, and humor!
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I like telling stories with a sense of humor. But humor can also distance you from the subject you're writing about. I'm interested in using humor as a portal to something a bit more serious.
I will say that as I get older and calmer and quieter in my own self, the one quality in a woman that I find more and more attractive is kindness. A sense of adventure and humor is important too, but I truly find kindness and consideration for others to be the most attractive thing in anyone.
I'm really interested in trying to tell stories about women that don't involve romantic components. That's so much a part of the way we feel about female characters and their needs that it feels like it's built in - but I'd like to find a way that it's not. There are so many more stories than that.
What I think we need to do is infuse everyday and every action with the kind of values we hope will be in the future, with kindness, with nurturing, with dreams, ambition, using your talents, not resorting to violence, other forms of conflict resolution, with humor, with poetry, with music.
The key to genuine happiness is in our hands. To think this way is to discover the essential values of kindness, brotherly love and altruism. The more clearly we see the benefits of these values, the more we will seek to reject anything that opposes them; in this way we will be able to bring about inner transformation.
No one has yet realized the wealth of sympathy, the kindness and generosity hidden in the soul of a child. The effort of every true education should be to unlock that treasure.
Hope. People want hope. We crave hope. We long for hope. Hope has been present since the very beginning. And almost in the worst situations of human history, you often find the greatest amount of hope. The very nature of the situation, the way stepped-on people created within them even more hope than when things were going fine. Hope has always been around.
The least-challenging way to make art for me would be to reinforce decorative formalism or find a way to extend entertainment values. Humor can sometimes be the only way out of this intolerable dilemma. And if that doesn't work, arson.
I found that while it was interesting to travel around and take the photographs, I would find that I was more interested in the stories behind the photographs. I was more interested in narrative.
Any sympathy won for Aileen Wuornos based on a lie is not sympathy at all. The question is, can we have sympathy for the circumstances of someone's life? That's what I was interested in.
Becoming an actor made me way more interested in plot.
I feel lucky that Viceland wanted to make it, and I'm producing more than one film with LGBT characters and stories and it's because it's what I'm interested in. I'm not going to read a script and say, 'They're not gay, I'm not going to do it,' but I am interested in playing more gay people, because I've only played one gay person, and I've done a fair amount of movies, and I am interested in those stories. So for me, there's no should-I-or-shouldn't-I. It all feels natural.
From the inception of this series, Mike and I were very interested in exploring the theme of tradition versus progress. We always like the struggle for balance to be a central theme of our stories, so as we introduce all of these changes to the 'Avatar' world, we get to see how people react and try to realign themselves.
When we submit our lives to what we read in scripture, we find that we are not being led to see God in our stories but our stories in God's. God is the larger context and plot in which our stories find themselves.
My greatest strength as a writer is that I'm a storyteller. But, it was a long, hard struggle for me to make the transition from verbally telling stories to writing them. You'll note I don't dwell on descriptions in my writing, because I'm far more interested in telling the story. There are many better writers in this world, but you'd be hard pressed to find anyone more passionate about stories than I am.
Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an action is through. That is all Plot ever should be. It is human desire let run, running, and reaching a goal. It cannot be mechanical. It can only be dynamic.
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