A Quote by Gail Carson Levine

I don't wait for inspiration. Writing is my job. — © Gail Carson Levine
I don't wait for inspiration. Writing is my job.
You don't need to wait for inspiration to write. It's easier to be inspired while writing that while not writing.
We do not wait for inspiration. We work because we've jolly well got to. But when all is said and done, we toil at this particular job because it's turned out to be our particular job, and in a weird sort of way I suppose we may be said to like it.
A lot of young writers wait for inspiration. The inspiration only hits you at the desk.
This is the practice school of writing. Like running, the more you do it, the better you get at it. Some days you don't want to run and you resist every step of the three miles, but you do it anyway. You practice whether you want to or not. You don't wait around for inspiration and a deep desire to run ... That's how writing is too ... One of the main aims in writing practice is to learn to trust your own mind and body; to grow patient and nonaggressive.
My father really taught me that you really develop the habit of writing and you sit down at the same time every day, you don't wait for inspiration.
People used to envy me my inspiration. I hate inspiration. It takes you over completely. I could never wait until it passed and I got rid of it.
When I'm recording, which is synonymous with writing, I'll play things over and over again until it sounds like I've got the right guitar part. Whereas I think, as the much younger player I tended to do things much more consciously. I didn't wait for the moment where inspiration might strike. That's what I do now. I wait for it to naturally start to replay itself in my mind. As I say, I don't force it. So I like to think of myself as a receiver. I'm a telephone line to who knows where, but until I hear it through that receiver, I don't usually do it. It's got to start writing itself somehow.
Writing is not a job or activity. Nor do I sit at a desk writing for inspiration to strike. Writing is like a different kind of existence. In my life, for some of the time, I am in an alternative world, which I enter through day-dreaming or imagination. That world seems as real to me as the more tangible one of relationships and work, cars and taxes. I don't know that they're much different from each other.
I don't wait for inspiration. I'm not, in fact, quite sure what inspiration is, but I'm sure that if it is going to turn up, my having started work is the precondition of its arrival.
The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work.
For me, writing is fun. The day I quit my job and take up writing full time, writing will become just another job. A commercial necessity.
I approached photography the only way that I knew how to approach anything: as a job. I would get up, photograph all morning, stop and have lunch, and then, photograph all afternoon. I didn't think that I had to wait for some inspiration.
Writing, for me, is very inspiration-dependent. And inspiration can be a jerk.
I really enjoy English and poetry and writing classes. You do get writer's block when you're writing music, and having inspiration from other great writers is great. You have to look for inspiration because sometimes music isn't the only thing that you can look at.
I think I approach all of my writing in the same way. I mean, it's my job, and I'm committed to it. I don't just float around and wait for some muse to call.
The best moment in writing any book is when you just can't wait to get back to the writing, when you can't wait to re-enter that fictional place, when your fictional town feels even more real than the town where you actually live.
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