A Quote by Gail Carson Levine

If beginnings terrify you, or if you just plain don't like writing them, or if they bore you, skip 'em. — © Gail Carson Levine
If beginnings terrify you, or if you just plain don't like writing them, or if they bore you, skip 'em.
Great teaching - just plain old knock 'em dead, get it right, make 'em laugh, make 'em wonder instruction - is always going to be rare. Good teachers abound. Great ones are special.
Sorry' he said. 'No, I'm sorry.' 'What are you sorry for?' 'Rattling on like a mad old cow. I'm sorry, I'm tired, bad day, and I'm sorry for being so...boring.' 'You're not that boring.' 'I am, Dex. God, I swear I bore myself.' 'Well, you don't bore me.' He took her hand in his. 'You could never bore me. You're one in a million, Em.
They say the shoe can always fit, no matter whose foot it's on. These days feel like I'm squeezing in 'em. Who ever wore 'em before just wasn't thinking big enough, I'm about to leave 'em with 'em
Like most readers, I tend to skip the acknowledgements at the beginnings of books: the 'To-My-Wife-Without-Whose-Invaluable-Assistance' kind of thing.
On my fortieth birthday, rather than merely bore my friends by having anything as mundane as a midlife crisis I decided it might be more interesting to actually terrify them by going completely mad and declaring myself to be a magician.
It's plain hokum. If you can't convince 'em, confuse 'em. It's an old political trick. But this time it won't work.
I'm always writing ideas down and then I stick em in my pocket and put em in that folder so I don't lose them. Like, somebody might say something, and I'll go, oh that's a good line, and that goes in the folder, too. It's kind of an ongoing process for me.
In many ways, I've chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don't like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.
I don't like to write about things that bore me, and that means I steer far clear of writing books that are just like what's on the shelves.
Just tell 'em you're gonna soak the fat boys and forget the rest of the tax stuff...Willie, make 'em cry, make 'em laugh, make 'em mad, even mad at you. Stir them up and they'll love it and come back for more, but, for heaven's sakes, don't try to improve their minds.
Readers soon tire of prefaces, and skip them, and so the labor of writing them is lost.
My mom, God rest her soul - she liked nicknames. In the womb she named me Skip. There was another black guy in Piedmont, W.Va., and his name was Skip. They called him Big Skip, and I was Little Skip.
I was just very conscious that I could either bore people by having the music be similar for too long, or I could just wear them out and bore them in a different way by having it changing too much every minute or two minutes. So, there was that kind of balance to get right.
When I was taking art history I was always angry that we would skip certain chapters because "it wasn't important." Like, "Let's skip over the Japanese. Let's just get to Giotto, because that's where everything begins." It's like, no. Everything is relevant to me.
For me, comedians are like the epitome for everything great, and they terrify me. I just want to be them. I want to be like them.
I like children; I like 'em, and I respect 'em. Pretty much all the honest truth-telling there is in the world is done by them.
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