A Quote by Gail Collins
When the women's movement started in the 1960s, there was a vision of a future where women didn't wear makeup or worry about how their hair looked, and everybody wore sensible, comfortable clothes. It ran into an absolute brick wall.
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An Islamic writer recalls her joy in the clothes she wore as a young girl at a wedding: They were always in beautiful bright colors: crimson, pink, turquoise, purple, and embroidered with sparkling crystals, sequins and beads. ... The older girls and women would wear glamorous heavily-beaded silk blouses and long, princess-like skirts. I wanted to wear those fairy-tale clothes too. I longed even more to wear a sari which the women wore so elegantly and which flattered their curves.
The media and even, to some degree, leaders of women's organizations don't understand that the women's movement is an absolute part of society now. It is in the consciousness, it is taken for granted. It is part of the way women look at themselves, and women are looked at.
Ever since I was a kid I just thought that women had the better outfits, women had the better hair, women got to wear makeup. I just got jealous of what women got to do onstage. You dress up a man and ultimately it's just a different variation on the same kind of suit. There's a whole wide world of what women wear onstage.
I started to draw and design clothes that I couldn't find, because everything was all luxury, fashion clothes or very straight. So I mixed all of that together: Who says I can't put a man in a skirt? Who says that a man can't wear lace? Who says that men can't wear Swarovski? Who says that men can't wear makeup? You know what I'm like; for me, straight, gay, women, men, trans, we're all the same. I don't see difference.
At home I wear my own clothes, no makeup and don't do anything exciting with my hair. I get to borrow pretty dresses for the red carpet, and have experts do my hair and makeup.
At home I wear my own clothes, no makeup and don't do anything exciting with my hair. I get to borrow pretty dresses for the red carpet and have experts do my hair and makeup.
The first time I wore a head scarf, I was 16. I looked and felt like a nun. I missed the wind in my hair. For me, it was not a comfortable thing to wear.
People always want you to look pretty. I would like to live in the Midwest in a small town and never put makeup on. But they won't let you do that. Once I went through a period when I did do that, wore no makeup, wore my hair any which way, and people looked at me like I was a bum.
It's a huge change from when I started in the 1960s, but what is really impressive is that the number of ladies on set, the women working on set is a huge percentage. There used to be no women. It was just the leading lady's mother, perhaps the hairdresser and the makeup person.
When I came to America, there were two kinds of women: women who looked serious and who didn't wear color and print, and women who looked girly and feminine and like second wives.
It's women who have embraced their own sexuality, it's why women wear makeup, it's why they wear high heels. It's what civilization is all about.
Even if I wouldn't wear something myself, I think I know how women feel, how women want to look. I can really relate to women, I get on very well with women... Some women don't. I want to empower women, make women feel the best version of themselves.
I think that women are often lumped into categories - single gals, or soccer moms, or career women, or women of a certain age. For some reason our society wants women to wear labels, and not only on their clothes.
Balenciaga often said that women did not have to be perfect or beautiful to wear his clothes. When they wore his clothes, they became beautiful.
When I started researching history in the 1960s, a lot of women about whom I've subsequently written were actually footnotes to history. There was a perception that women weren't important. And it's true. Women were seen historically as far inferior to men.
I'm not particular about makeup, but when I do wear it, I am partial to Fenty. That is what I own. I own it because it is partial to the various colors and shades of black women. It is one of the best cosmetic companies around as far as trying to remove toxins from makeup, and Rihanna is empathetic to the experiences of trans women.
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