A Quote by Gail Godwin

The characters that I create are parts of myself and I send them on little missions to find out what I don’t know yet. — © Gail Godwin
The characters that I create are parts of myself and I send them on little missions to find out what I don’t know yet.
I find myself maybe just pushing myself to create characters that are a little outside the box, and if that sort of gets the critics talking, then I can take it.
Once you find out that someone likes a certain game on Facebook, now you know what kind of virtual gift you can get them. You can send them a little decoration. Social games give you goals where you can help and reward your friends.
The opposing missions of the various characters create the plot.
I usually don't find myself reacting to my characters. I just create them ... And let the audience decide whether they're empathetic or scared or compelled to cheer me on.
I like acting because I get to find different parts of myself, or at least create different parts that don't already exist, and see the world through someone else's eyes.
I don't use recurring characters. I do get very interested my characters while I'm working with them, and I find the process of fitting them into a story, and allowing them to create the story around themselves, fascinating. But no, I don't imagine they have a life outside of what I make for them.
I have nothing but contempt for the deceitful thing men call 'happiness,' and find myself with no choice but to push my characters, whom I pour my heart and soul out to create, into the abyss of tragedy.
The characters I tend to play are a little more interesting than the standard heroes. Romantic leads can be a little more straightforward, I guess. But it just seems to be the parts I get, I don't know what that says about me. I enjoy interesting characters and interesting people, I suppose.
Animals are stylized characters in a kind of old saga - stylized because even the most acute of them have little leeway as they play out their parts.
I find myself really feeling like it's possible that maybe the greater contribution I'm going to be able to make through this next phase of my life might be as a writer writing wonderful parts for women, or even writing wonderful parts for myself, you know?
Sometimes, when actors reach out to their characters, they're nowhere in sight. They need to find something inside of them. And then the characters are right there. As a director, I want them to find the character that's already inside them, instead of trying to manufacture or manipulate or make something up. That's not really honest or true.
Many TV shows will create characters where you get a sense of who they are, but they're just the bad guy out to find you and you don't know why because there's no tone or dimension there.
You always take a little bit back with you at the end of the day. I always put a little bit of myself into the characters, too. You find parallels, points of connection, things like that. But I'm not an actor who gets so incredibly haunted by my characters that I can't come back.
I've really taken time to dive into my heart and my emotions a little more. I think, before, I was a little nervous to open up that box and go, 'What's in there,' you know? Now, that's what's made the best music, and that's what I've been able to pull out of parts of myself that I never knew existed.
Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.
Our covering ministry is Challenge for Christ ministries, and Travel the Road was solely our mission arm, designed to expose people to what missions are, then connect them with agencies that send people out.
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