A Quote by Gail Honeyman

I don't listen to music when I write. If I do, I usually end up giving it my whole attention, which means, unfortunately, I don't get much work done! — © Gail Honeyman
I don't listen to music when I write. If I do, I usually end up giving it my whole attention, which means, unfortunately, I don't get much work done!
If I make a movie that has a whole bunch of music in it, I get to listen to the music all day long, and I don't have to say, 'Well, I gotta go back to work and I gotta stop listening to the music.' I get to listen to music and go to work.
You grow up listening to Eminem; your parents don't let you listen to it - you gotta sneak into a car to listen to this guy rap. He changed my whole life, my whole perspective on music, so to more or less co-sign something that I've done is the ultimate childhood goal.
I've never been one to crave attention, which I know means that this is probably the worst career to pick. I get anxious even when people come up to me for pictures sometimes. That's the one thing that makes me hesitant about my future. But I love music too much to not do it.
When you're younger and a little more innocent, you write whatever [lyrics] comes naturally. But as you get used to writing you try to steer the sound and music to different music and throwing in the "kitchen sink" of sorts into the music. With that way, you end up putting in much more than before and you could even make much more next time around.
I've been getting a bit of writing done, a bit of recording done and I just want to get out as much new music as I can before I end up spontaneously combusting.
And to get the work done that I must do, one has to work in isolation and not be readily disturbed... I don't have daily newspapers, and I like to feel when I get up in the morning my attention is fixed on the work I am going to do.
The stuff that I write doesn't work very well as background music. You have to watch it from beginning to end and pay attention as if you were watching a play.
I don't really decide what the core of the story is before I write. I write to figure out what the story is. And I think the characters end up talking to you and telling you what they want to be doing and what is important to them. So in some ways, your job is to listen as much as it is to write.
I'm always intrigued by people that listen to my music, I just naturally want to get to know people who listen to my music because people who end up having such an attachment with my stuff, I wonder why they have such a connection to something that's so personal to me in the first place.
I don't really write for adults or kids - I don't write for kids, I write about them. I think you need to do that; otherwise, you end up preaching down. You need to listen not so much to the audience but to the story itself.
Since education is not a means to living, but is identical with the operation of living a life which is fruitful and inherently significant, the only ultimate value which can be set up is just the process of living itself. And this is not an end to which studies and activities are subordinate means; it is the whole of which they are ingredients.
The point of my music? The point I just want to get across is I'm me and I exist. Just letting people know who I am. Ever since I was young, I was the little attention grabber; I always loved attention. I want to grab people's attention. I want them listen to me and know that this is really good music. Whether they like it or not, they're gonna listen.
I think people assume that whatever kind of music you make is the music you listen to. Don't get me wrong, I listen to tons of pop music and all the music that really inspires Best Coast is very straightforward '50s and '60s pop music, but I've been listening to R&B and rap since I was a kid. I grew up in L.A. It's part of the culture. I listen to anything.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
I'm very much inspired by the Latin music, especially the romantic boleros. Not that when I sit to write a play I listen to boleros. But I think it's part of my DNA, it's part of my upbringing. I grew up in a house where this is the kind of music my parents used to listen to. This is the kind of music I would even hear in my neighborhood. I think that sort of romanticism is part of the culture.
When you don't get a certain quality of work, you end up doing lesser quality of work because there's no work. I'm a professional actor, I have bills to pay so I end up taking work which ideally I wouldn't have.
This site uses cookies to ensure you get the best experience. More info...
Got it!