A Quote by Gail Honeyman
'Eleanor' was so much fun to write, because there's a brutal honesty about her. She's got no filters and no concept of social norms.
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She [Eleanor Roosevelt]wants a life of her own. Her grandmother could have been a painter. Her grandmother could have done so much more than she did with her life. And Eleanor Roosevelt decides she is going to do everything possible with her life. She's going to live a full life.
Eleanor Roosevelt never thought that she was attractive. She never thought that she was really sufficiently appealing. And I think her whole life was a response to her effort to get her mother to pay attention to her, to love her, and to love her as much as she loved her brothers.
Eleanor Roosevelt's very helpful to a lot of children who cannot speak French, who do not write well. And Marie Souvestre is fierce. She tears up students' papers that are not, you know, perfect. And Eleanor Roosevelt goes around, again, being incredibly helpful to children in need, children in trouble. And her best friends are the naughtiest girls who are in trouble. And she is a leader. And she is encouraged to be a leader. And everybody falls in love with her. She's a star.
Eleanor Roosevelt had both her admirers and her detractors. And they admired her and detracted from her for many of the same reasons. People who liked her social activism, who thought that she was calling attention to problems that needed solving, were all for her.
Eleanor Roosevelt loved to write. She was a wonderful child writer. I mean, she wrote beautiful essays and stories as a child. And Marie Souvestre really appreciated Eleanor Roosevelt's talents and encouraged her talents. Also, she spoke perfect French. She grew up speaking French. She's now at a french-speaking school where, you know, girls are coming from all over the world. Not everybody speaks French.
Well, when Eleanor Roosevelt's mother dies, she goes to live with her Grandmother Hall. And her Grandmother Hall is in mourning. She's in widow's weeds. She's in her 50s, but appears very old. And she's exhausted from raising rather out-of-control children. Her favorite daughter, Anna, has died (Eleanor's mother), and she has living at home two other sons, Vallie and Eddie. And they are incredible sportsmen, incredible drinkers, out-of-control alcoholics.
At the age of fifty-six Eleanor Stoddard was still a beautiful woman. She owned three hotels in France and another two in England. From nothing at all, she had built an empire. Eleanor had it all. Her one weakness was the young man sleeping beside her.
I think she [Eleanor Roosevelt] never was called because she probably didn't know an awful lot. The whole burden of the criticism of her on the subject of Communism is naiveté, not participation. And again, being a public figure and our representative at the UN, there was nothing Communist about her, certainly.
'Hanna' doesn't maintain social norms. She doesn't have those boundaries. She speaks her mind and is very physical and funny.
I've always resented Hermione, because I wanted to be her so badly and she never seemed to appreciate as much as I thought she should that she got be her. She got to live at Hogwarts and be friends with Harry and kiss Ron, which was supposed to happen to me.
I mean, her father was an alcoholic, and her mother was the suffering wife of a man who she could never predict what he would do, where he would be, who he would be. And it's sort of interesting because Eleanor Roosevelt never writes about her mother's agony. She only writes about her father's agony. But her whole life is dedicated to making it better for people in the kind of need and pain and anguish that her mother was in.
Callie always said Luce was incapable of brutal honesty and that was why she got herself stuck in so many crappy situations with guys whom she should have just told no.
That was a general impression that one got, that she [Eleanor Roosevelt] was always flitting around the country and descending on some place in the Ozarks that she decided was disadvantaged, and announcing that something had to be done. And she had a very active social conscience, which I think in general is to her credit, although it tended, as many people thought, to just be overdone to the point where it gave rise to this crack that she regarded the whole world as one vast slum project
In one way, it is this sense of order and also love that, I think, really saved Eleanor Roosevelt's life. And in her own writing, she's very warm about her grandmother, even though, if you look at contemporary accounts, they're accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli.
Look at poor Nirupa Roy. She got substantial roles, but at 30 they made her put grey in her hair. And Achala Sachdev was all of 16 when she played 60. She quit because she got nightmares about dropping a thali and screaming, 'Nahin!' You know an actor or any other human being needs to be comfortable in her space at whatever age she is.
Daphne is the eldest of the Bridgerton daughters, so she is the first to make her debut on the marriage mart and she's waited her whole life for this moment. When we meet her, she conforms to the social pressures placed on young women at the time but as she evolves, she very much finds her voice.
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