A Quote by Gail Porter
I used to be pretty reckless. When I was a runner for a production company, I drove a massive 16 seater van. I was only 18. I mean I look young now, but then I looked about 12.
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But I did mine through a production company. All the music I did, I gave to the production company. Then the production company would give the record company the album. I used to do all my albums like that. It was fantastic. But now, understand, I have never planned to do anything with these other tapes. The one that are released, like the Virgin Ubiquity you have there, I wasn't going to do anything with that music. One day, I was talking to this guy that owns BBE over in England, and I said I've got some tapes and stuff that you might be interested in, and he went berserk.
There have been times where I have been playing a 16-year-old, and people have been like, 'She still looks 12.' I'm like, 'I'm 22. What do you mean I don't look 16?' So I'm comfortable just rocking my young body.
I think people hate me pretty much across the board, which is nice. I mean, it's a pretty evenhanded loathing among a certain amount of the critical population, which used to be about 80 percent. So now I've gotten to the point where I just don't worry about it that much. It used to be very upsetting, now it's only mildly upsetting.
We both [with Suzanne Collins ] felt strongly that you wouldn't want to age up the characters, no matter the age of the actors playing the roles. They should be playing the age that they are in the [Hunger Games] books. It would let people off the hook, if you said, "Well, instead of 12 to 18, why don't you make them 18 to 25 or 16 to 21?" If you don't stay true to the horror of the fact that they are 12 to 18, you're not doing justice to the book.
Well, I mean there are so many producers that inspire me. I used to try to imitate production by certain people. And now I'm only interested in doing the opposite of that. I'm only interested in doing production that like no one's ever done before.
I got to know the cast pretty well. Not so much Leonard Nimoy, I got to know William Shatner pretty well. They are a pretty good gang. The production company that made 'Star Trek' is the kind of production company that likes to have fun.
My first job in the film business was working as a production assistant, and then a production manager on a documentary about Townes Van Zandt.
I got signed to a development deal when I was 15. That fell through after about a year when the company merged with another label. Then I got picked up by Sony publishing. So I was writing professionally from 16 to 18. Then I started making my own records.
I'll tell what reckless is. What reckless is is calling [Bashar] Assad a reformer. What reckless is allowing Russia to come into Crimea and Ukraine. What reckless is is inviting Russia into Syria to team with Iran. That is reckless. And the reckless people are the folks in the White House right now. Barack Obama and Hillary Clinton are the reckless people.
I mean I’m 16 and 17 years wiser now. So if I could do it when I was 18 with a guy, I can certainly do it at 33 with a lady.
I'll never forget when I was 12 years old. I couldn't wait until the day I was 16 and could drive a car. I thought that'd be the end of life's problems. I mean, you can drive! What is there left? And then I turned 16 and realized there were still problems.
One afternoon when I was 9, my dad told me I'd be skipping school the next day. Then we drove 12 hours from Melbourne to Sydney for the Centenary Test, a once-in-a-lifetime commemorative cricket match. It was great fun - especially for a kid who was a massive sports fan.
When I was 12, I was living in Iowa, and I emailed so many wrestling schools, and one of them was actually in Boston. I joined it at 18 - the New England Pro Wrestling Academy. They were doing a fantasy camp. I was 17 about to turn 18. I told my mom, 'I'm 18 now. I just signed these papers by myself, and I'm going to do this.'
When I was younger, I looked a lot older than I was. They have these working laws in England where you have to be 16: if you're over 16, you don't have to be restrained by working hours and things like that. In America, it's actually 18.
Why is it that E.U. players are allowed to move country once they turn 16... but non-Europeans can only do so at 18? Why aren't we campaigning for a level playing field, where our best 16 year olds - who may not have an E.U. passport like I had - are free to move when they turn 16, like the best young players in Europe can?
I definitely want to start my own production company at some point. I'm actually teaming up with Funny or Die to put together a TV show right now, that I can't really talk about because it's still in the very preliminary stages, but if it pans out this will be the first project under my production company, which I have yet to name.
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