A Quote by Gail Sheehy
It was my very good fortune to find a mentor, Clay Felker, who started my career at the 'New York Magazine' as a freelance writer when I had to quit my job at the 'Herald Tribune' to stay home with my young daughter.
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I was arrested 1965. I had come back from the merchant marines, got into conversations about the war. I had never heard of Vietnam until I was in the merchant marines in constitution square in Athens, and I picked up the New York Herald or the International Herald Tribune and there was my first introduction of the word Vietnam.
Cortissoz was art critic of the New York Herald Tribune.
Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.
For 10 years, I'd been working as a freelance writer and editor, making money but not a living. It was a good arrangement family-wise, allowing me to stay home with our daughter, but not so great financially or, sometimes, ego-wise.
...the traces to the East haven been broken, the Republican party will never again be dominated by the editorial writers for the New York Herald Tribune. Free at last.
I quit my last real job, as a writer at a magazine, when I was twenty-one. That was the moment when I lost my place of prestige on the fast track, and slowly, millimeter by millimeter, I started to get found, to discover who I had been born to be, instead of the impossibly small package, all tied up tightly in myself, that I had agreed to be.
I could see no position to say, 'I'm going to make a living as a writer.' But I went to classes for it; I read every play in 'Theater' magazine. I saw the second acts of everything on Broadway - I had a job as a CBS usher in New York City, and on my way home every night, I'd see what shows I could get into.
I would stay two years in San Francisco, then move to New York in the summer of 1991, for the love of a man who lived there. When I arrived in New York, I had a job waiting for me, courtesy of a bookstore I'd worked at in San Francisco, A Different Light. They had a New York store as well, and arranged an employee transfer.
I started, actually, in journalism when I was - well. I started at the 'New York Times' when I was 18 years old, actually, but really got into journalism when I was 15 years old and had started a sports magazine which was trying to become a national sports magazine.
I see a New York where there is no barrier to the God-given potential of every New Yorker. I see a New York where everyone who wants a good job can find one. I see a New York where the people can believe in a grounded government again.
My daughter wrote a book. She is a New York Times Bestselling Author. Fabulous. Couldn't be more proud. She also has no health insurance. A 401 K? Dream on! My daughter left her stable corporate job to be a writer without dental benefits or a savings account, a.k.a. my worst nightmare.
I produced some very good work at 'New York' magazine.
I had started out my grown-up life in New York City, but I couldn't figure out how to be an actor there. And so I had been a magazine illustrator instead.
I wrote the column. I - you know, - the column simply said that [Clay] Felker is destroying this paper. And I heard that he was about ready to fire me, but two other people on The Voice interceded and, fortunately, he had a very short attention span, so I wasn't fired.
I am grateful to have spent 25 years at the 'International Herald Tribune' - a newspaper where I had unstinting support in being able to express myself freely and honestly.
When I moved to New York, I really wanted to find my bread job as close to my passion as possible. There's nobility in waiting tables. But I really wanted to find a job in the arts, and so I started teaching.
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