A Quote by Gail Simone
I was a fan of the idea of Red Sonja, but the gender politics of the character made her hard to read, for me, at times.
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Red Sonja, she was a hellraiser before Buffy, Xena, and Ripley even existed. When so many heroines in comics were all hung up on romance and the bizarre gender politics of comics at the time, Sonja was out cutting off the heads of dragons and pirates.
With 'Red Sonja', it's a single character leading a book although there's a supporting cast, whereas 'Secret Six' is basically six characters who have equal time and equal place in the book, so it's got a team dynamic that 'Red Sonja' doesn't have.
I wanted to be her; I wanted to write her. Red Sonja became anchored in my imagination like a mountain.
I have a terrific editor in Molly Mahan - she's the best - and Red Sonja has become up there with Black Canary as my favorite character to write, ever.
I think my craziest hair was when I first went red for my 30th birthday. My idea was The Little Mermaid because I always wanted to be her and then I was going to be I love Lucy and every red-haired character that you can imagine. It was really cartoon red and now I'm in the more natural believable tones.
I grew up in New Bedford, Massachusetts, and I'm a huge Red Sox fan. I've probably been to Fenway 40 times. I've been pretty lucky as a sports fan because the Patriots have won Super Bowls and the Red Sox have won World Series during my lifetime.
It's been hard. My mother is proud of me, but her reaction swings wildly from day to day. I don't really take her point of view. I'm hard on her. And that's hard to read.
I had a hard time on TV, the last time on television, so I wasn't sure that I wanted to do that again. But, I really am a big fan of Jenji and I knew this is her next thing, so I read it. And once I read the script, I was really, really impressed that there was a woman who was the centerpiece of her own story, and that she was in the center of her own narrative.
Read things you're sure will disagree with your current thinking. If you're a die-hard anti-animal person, read Meat. If you're a die-hard global warming advocate, read Glenn Beck. If you're a Rush Limbaugh fan, read James W. Loewen's Lies My Teachers Told Me. It'll do your mind good and get your heart rate up.
I think it's really hard to make songs that pursue an agenda. You can kind of do it a little bit through a character, so the character gives voice to something or their story, the story of the character tells you something, but, for me anyway, it's really hard to write directly about politics.
Hard times have been on Josh Barnett. Dealing with athletic commissions. Everybody's saying, 'You did this and you did that. You're the problem for this.' That's hard times. Hard times on my family. Hard times on my friends. Hard times on me.
I'm not going to try to deny that I'm a Red Sox fan. I grew up a Red Sox fan, had a great decade here that I really enjoyed, and that will always be a part of me.
I think Trump has made it really hard for people to read, period. He's made it hard for me anyway. Part of his evil is the way it constantly distracts us, constantly upends our horizon. To leave your computer for three hours now is to miss a year's worth of drama. This is programmatic and common to other autocratic regimes of our times.
I live in New York, and Clara lives in Recife. The character is Brazilian, and as I read the script, I felt like Kleber [Mendonca] had been spying on me in order to create this role [in Aquarius]. Clara and I have different backgrounds. I come from an intuitive world, and she's an academic, but when we got together, we really became one. There are many times when I'm watching the film where Clara will say something, and I will find myself agreeing with her. It was the first time that I had this weird sensation that the character I played is so me, but yet it's so her.
For me, coming from the women's movement, politics is not just about parties and parliament. There is politics in our private space and in gender relations as well. Wherever there's power, there's politics.
I was very resistant to my intellectualism for a while. I do start with an intellectual idea for a character. A lot of the times, it'll be the opposite of what I feel like is on the page, or it'll be just an idea that I read in a psychology textbook or in a philosophy book. I'll apply something to it that I can start to tinker with.
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