A Quote by Gail Simone
When I started in comics, people were always trying to classify me as either/or. Either a writer who appealed to women or a writer who appealed to guys. This need to categorize was just exhausting.
Related Quotes
I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
Underground comics were produced by individuals - they were the auteur variety, rather than the production-line sort of comic book aimed at pleasing a vast general audience. Mainstream comics never appealed to me: they seemed sterile in their stylistic consistency, and were quickly consumed, the stories interesting only for so long as you were reading them.
When I first started out in comics they would put me on these Women of Marvel panels, and these young women would come up to me and say, "I really want to write comics but I don't know if I can because I'm told that it's just for guys." I would say, "That's bullshit. That's absolute bullshit. Look at me!" But the one area where we still need to work on is that we need more women of color. That's not common thing yet.
I've found in conversations with people - and not just white people either, because I realize there are some Black people that voted for Trump - usually when I get in these conversations with people who voted for Trump, there was always some level of his bigotry that appealed to them. Banning Muslims, building a wall, it was always something.
Hitler's oratory moved people and appealed to their hopes and dreams. But his speeches malevolently twisted hope into some gnarled ghastly entities, and appealed to the latent, darkest prejudices of Germans.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
Who made me laugh when I was growing was Chaplin and the Marx Brothers, and then moving on, there were so many that I was a writer for for many years: I was a writer for the Smothers Brothers, Lily Tomlin, then I started on 'Saturday Night Live' as the head writer the first year we started it.
One of the things that appealed to me most about comics was that you can pick the ones you like and build your own personal pantheon.
One of the things that always appealed to me about Nasa was we were always doing cool stuff that no-one's done before.
I was working on other things and I wanted to make a film, and I had some ideas brewing in my head. Brandy's [ Burre] circumstance was such that I didn't really know what was going to happen. That was obviously a surprise, but I knew she was in her mid-to-late thirties and she was starting to really think about her life in a way that really appealed to me, appealed to the women that I know in my life.
People ask me, 'What do you do?' And I tell them I'm a writer, but always with the silent reservation, 'I am, of course, not really a writer. Hemingway was a writer.'
These days I find myself wanting to avoid being pigeon-holed, ghettoized, held in a different category than other authors. And when people ask me if I'm a black writer, or just a writer who happens to be black, I tend to say that it's either a dumb question or a question which happens to be dumb.
I'm an aspiring writer. I hate that phrase. You're either a writer or you're not.
As a writer, I must be free to say what is in all the diversity I can command. I regret the distorting prejudices that surround me, whether they affect homosexuals or men or the physically handicapped and I can't alone defeat them. They will not defeat me, either as a lesbian or a writer.
It was important to me to be cool as a comedian. I didn't want to be a crowd-pleaser who sent out the vibe of, "I need you guys." I wanted to be so cool that the audience could leave and I would still be killing, that I didn't want to have to rely on them or need them. That really appealed to me.
There were always men looking for jobs in America. There were always all these usable bodies. And I wanted to be a writer. Almost everybody was a writer. Not everybody thought they could be a dentist or an automobile mechanic but everybody knew they could be a writer. Of those fifty guys in the room, probably fifteen of them thought they were writers. Almost everybody used words and could write them down, i.e., almost everybody could be a writer. But most men, fortunately, aren't writers, or even cab drivers, and some men - many men - unfortunately aren't anything.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer