A Quote by Gail Simone

I love any books by Kelly Sue DeConnick or Marjorie M. Liu; it's lovely to have successful, talented female writers doing great work in comics. — © Gail Simone
I love any books by Kelly Sue DeConnick or Marjorie M. Liu; it's lovely to have successful, talented female writers doing great work in comics.
Greg Rucka always writes lovely, believable female characters in books like 'Whiteout,' 'Queen and Country,' and 'Lazarus.' I am a fan of Kelly Sue DeConnick, who does a wonderful female lead in 'Captain Marvel.' And DC's 'Batwoman' is currently the only book at the Big Two with a lesbian solo lead character, and it's always outstanding.
The comic book writer Kelly Sue DeConnick really uniquely tapped into Carol Danvers - not just her toughness and her power, but also her vulnerability.
Comic books themselves are getting more literate. And there are people who are screenwriters and television writers and novelists who are writing for the comics, for some reason, they love doing it and some of the art work in the comics, I mean it rivals anything you'll see hanging on the walls of museums, they're illustrations more than drawings and all the people are discovering this and they're turning on to it.
The lovely thing about writing comics for so many years is that comics is a medium that is mistaken for a genre. It's not that there are not genres within comics, but because comics tend to be regarded as a genre in itself, content becomes secondary; as long as I was doing a comic, people would pick it up.
Good comics stick around. There are people who have TV shows that might be successful, but comics can't really fake it. If you say, 'Hey, I love what you guys are doing - you're funny,' then you're in. It's legit.
The good part of what comics trains you to do is it trains you - especially if you've worked in mainstream comics like Marvel and DC, or if you're just doing your own independent comics - to compartmentalize things and work on multiple things at the same time. And that's a skill that is incredibly handy in Hollywood, because within the first year that you get here, you realize there's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point.
It's hard not to be enthusiastic when you like what you're doing and I love what I do. I love writing stories, I love coming up with ideas for new projects and I love the people I work with, because I work with great writers and artists and directors and actors.
There's still only maybe three female writers or two female writers to 10 guys in any kind of writer's room.
You don't try any less hard on the ones that don't. I've gotten lucky to work with some amazingly talented people that have helped the ones that have worked work. I think you just have to keep doing the stories you love and the characters that you love and are drawn to.
I started out writing romance novels, and that's a side of publishing that's very female oriented. 99.9% of the writers are women, most of the editors are women, and these are books written for the female gaze. And so my point of view - the way I looked at fandom and publishing and writing - was all about women. So for me that's what was natural, that's what was comfortable. And then I moved over to comics. And all of a sudden it was... Pardon the expression, it was a sausage fest.
As lifelong fans of comic books, Dan Didio and myself, we definitely have our own takes on what make for successful comics and the kind of comics that we want to publish.
In company with people of your own trade you ordinarily speak of other writers' books. The better the writers the less they will speak about what they have written themselves. Joyce was a very great writer and he would only explain what he was doing to jerks. Other writers that he respected were supposed to be able to know what he was doing by reading it.
By coincidence and not design, 'Everstar' is written and drawn by an all-female creative team, and it makes me smile to think that there may be young female readers out there, future writers and artists, who get to see that comics doesn't have to be a 'boys' club.'
Kelly, Kelly, Kelly. I love your voice man, you give me chills... Brilliant.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
It is appearances, characteristics and performance that make a man love an airplane, and they, are what put emotion into one. You love a lot of things if you live around them, but there isn't any woman and there isn't any horse, nor any before nor any after, that is as lovely as a great airplane, and men who love them are faithful to them even though they leave them for others. A man has only one virginity to lose in fighters, and if it is a lovely plane he loses it to, there his heart will ever be.
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