A Quote by Gail Simone

Ideas are not - ideas come at me all the time; it's just the way I'm wired. It's just a matter of focusing it in and figuring out what to do with that. — © Gail Simone
Ideas are not - ideas come at me all the time; it's just the way I'm wired. It's just a matter of focusing it in and figuring out what to do with that.
I don't know exactly where ideas come from, but when I'm working well ideas just appear. I've heard other people say similar things - so it's one of the ways I know there's help and guidance out there. It's just a matter of our figuring out how to receive the ideas or information that are waiting to be heard.
I don't know exactly where ideas come from, it's just a matter of us figuring out how to receive the ideas waiting to be heard.
Sometimes ideas just come to me. Other times I have to sweat and almost bleed to make ideas come. It's a mysterious process, but I hope I never find out exactly how it works.
These are ideas. I could say that they just came to me, but it would be more accurate to say that I went to them. Ideas - and new connections between ideas - lead you away from commonly held perceptions of reality. Ideas lead you out here. Ideas lead you into the darkness.
So where do the ideas-the salable ideas-come from? They come from my nightmares. Not the night-time variety, as a rule, but the ones that hide just beyond the doorway that separates the conscious from the unconscious.
My ideas come, wh-pheww. And I draw. Just recently, when I'm searching for ideas for paintings and sculptures, I wait for ideas, and it's always visual.
If you write, good ideas must come welling up into you so that you have something to write. If good ideas do not come at once, or for a long time, do not be troubled at all. Wait for them. Put down little ideas no matter how insignificant they are. But do not feel, any more, guilty about idleness and solitude.
I always think it's better to take your time and go through a lot of ideas - and dismiss a lot of ideas - before figuring out where to land. It's a good way to care for your audience, too. If you spend hours and hours and days and weeks coming up with the ending, then there's a chance the fans won't figure it out on their own.
Ideas matter a lot, the underlying ideas that stand behind policies. When you don't have ideas, your policies are flip-flopping all over the place. When you do have ideas, you have more consistency. And when you have the right ideas - then you can get somewhere (reagan had the right ideas).
And it doesn't matter to me whether you're running a coffee shop or you're an intellectual or you're in business or flying hot air balloons. People who can spread ideas, regardless of what those ideas are, win. But consumers, they got way more choices than they used to and way less time.
I've been a conservative my whole life. There is nothing hard-right or far-right about anything. I just believe in ideas and that ideas matter in history, and that's my background, and that's the way I'd like to be portrayed.
Every story has a point of view and whether it's by what one chooses to include or exclude from a story or whether it's a very specific agenda that is pushed, there is no such thing as objective media. Once you realize that it's more than just a marketplace of ideas, it's a battleground of ideas that are suppressed and the ideas that are pushed forward in the mainstream media are the ones that independent media has a chance to address. I think that the democratization of media in that way can be very helpful in allowing the truth to come out in a way that it might not on CNN or FOX.
I have ideas for songs all the time, but musical ideas, like melodies, really come out when I'm in nature.
It's almost like schizophrenia the way I get ideas about things that are not really happening and just end up focusing on them.
I have a few songs that I'm figuring out and writing. I'm still figuring out the whole concept and how it's gonna connect to Cry Baby, but I have some ideas, yes.
Give the composer time to experiment, time to try out ideas. Also, the time to fail. When the composer has very little time, the temptation is to reach for stock ideas - ideas they know will work and have worked in the past.
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