A Quote by Gail Zappa

It's the ultimate identity theft when you start messing with somebody's work. Thinking that you could edit the work, or mix it differently, or re-EQ it, or make claims about it that aren't true.
Somebody who knows all about how to make the record, or how to make records, they know how to work the EQ and they know how to work the stuff, but they don't know what I want it to sound like. So it's just easier for me to do it myself.
Slavery is theft - theft of a life, theft of work, theft of any property or produce, theft even of the children a slave might have borne.
We hear a lot about identity theft when someone takes your wallet and pretends to be you and uses your credit cards. But the more serious identity theft is to get swallowed up in other people's definition of you.
To be honest, I'm not even thinking about America. If I was to start thinking about the enormity of 'Downton' and the size of the project, then I wouldn't be able to be very truthful to the work. I would start to watch myself too much. I'm not even thinking about it. Who knows what will happen.
Everyone will always have ideas about how to make your work better. Everyone has advice about how to end your play differently. Start it differently. And it's not about right or wrong. At the end of the day, it's your baby, and you know what's best.
Never start small where goals are concerned. You'll make better decisions - and find it much easier to work a lot harder - when your ultimate goal is ultimate success.
I think everyone's journey through this crazy, weird, wild, wonderful area of work named acting is really their own. And if you're going for something that isn't yours, you're wasting time. You could be focused on your own work instead of thinking about somebody else.
In my opinion, you start messing with what this country was founded on, and our baseline is what we call it, it opens up too many - too many doors. You start messing with that, people can say religion kills people. So, let's start messing with that.
I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about.
I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
Our identity was bestowed upon us by God and when humanity rebelled against God, we were divorced from the source of our identity. In this vacuum, work can wrongfully become the source of our identity wreaking havoc on our lives and work. Work was never meant to carry the weight of our identity.
Venezuela's government must work toward achieving a true culture of democracy for our region. There's no room for persecution based on ideological reasons or for thinking differently.
I think it's natural as you get to the end of your twenties to start thinking about what you could have done differently - whether they went well or whether they went terribly.
The best preparation for work is not thinking about work, talking about work, or studying for work: it is work.
Any nature documentary or TV show will always make you start thinking differently about what surrounds us and how to take care of it.
The true identity theft is not financial. It's not in cyberspace. It's spiritual. It's been taken.
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