A Quote by Gail Zappa

It's one thing to write the music, it's another thing to write it down, it's another thing to play it, and something else altogether again to learn how to play it. These are the elements that are fascinating, and, you know, move my world.
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
It's one thing to just play a tune, or play a program of music, but it's another thing to practically create a new language of music, which is what 'Kind of Blue' did.
Do you know the phrase, 'The word 'water' will not wet you?' It's one thing to write down an idea and another thing entirely to execute it.
People don't want lots and lots of single purpose devices. They do not want to have to learn how to set up something for photos, another thing for music, another thing for video.
I wanted to take my writing to another level. I wanted to write stuff that was personal for real. It's one thing to write a lyric that sounds nice in that line - that's not very tricky - but it's a different thing to write something that sounds nice and actually comes from someplace real.
Another thing that you really do when you play, that you're supposed to do, is colors. You know, you cannot play with one color. If you play with one color, again, it's like watching a beautiful painting, a drawing, but it's all in blue or it's all in red. May be very nice, but not very interesting.
The hardest thing to do is to write straight honest prose on human beings. First you have to know the subject; then you have to know how to write. Both take a lifetime to learn, and anybody is cheating who takes politics as a way out. All the outs are too easy, and the thing itself is too hard to do.
As I've said many times, it's one thing to dream about something; it's another thing to experience it. It's one thing to think you're good enough; it's another thing to know you're good enough.
It was my great problem to solve: how to write a book, you know. And after you write one, you have to write another to prove to yourself you can do it again.
If I'm feeling something, I know if it's a song, or if it's a little story that I'm going to write, or if it's a painting or play. I might sit down and write a play.
It’s one thing to play a Muddy Waters song. It’s another thing to play with him.
It's one thing to read about how makeup is applied. It's another thing altogether to watch it being put on.
It is dishonorable to say one thing and think another; how much more dishonorable to write one thing and think another.
I don't have an audience in mind when I write. I'm writing mainly for myself. After a long devotion to playwriting I have a good inner ear. I know pretty well how a thing is going to sound on the stage, and how it will play. I write to satisfy this inner ear and its perceptions. That's the audience I write for.
I just don't know what makes a picture, really - the thing that makes it is something unique, as far as I can understand. Just like one guy can write a sentence and it's beautiful and another one can write it and it's dead. What the difference is, I don't know.
You write a book, and after 50 pages you think it's about one thing, and then you write another hundred and you realize it's about something else, and then by the time you're done, you can look back and say, 'Oh, this is what it's about.'
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