A Quote by Gale Harold
I'm a bad interview because I want to always feel like I'm being totally honest, but at the same time, I'm absolutely paranoid. That combination results in a lot of spaces.
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In the first place you can be so absolutely honest and so absolutely wrong at the same time that I think it is better to be a combination of cautious and polite
I've worked a lot of historical stuff back in Sweden and there's always conflict with horses. I get a bit paranoid when I'm on them, and they can sense that and they get a bit paranoid. It ends up in this bad spiral where I don't want to be on them, and they don't want me on their backs.
I always feel sad, to be honest, to see people badly injured. That's important because if someone's life is being changed like that it's extraordinarily important for that person - and you can't forget whether it was ten years ago, twenty or today. So I feel the same each time - I feel sad but I also feel that I should do the best I can to make it the best I can for them. So that's how I cope - by working.
With that being said, you are a Democrat. You are saying, "Let's cut and run." And I have to tell you, I have been nervous about this interview with you, because what I feel like saying is, "Sir, prove to me that you are not working with our enemies." And I know you're not. I'm not accusing you of being an enemy, but that's the way I feel, and I think a lot of Americans will feel that way.
Venues are all the same, all feel the same, these generic blank spaces. I like artists like Lightning Bolt-bands that go in and kind of change things every time, play on the floor, set up in the middle of the room. They go in and they reinvent the space every time, which I feel is like the kind of thing that should just be happening.
I think of great masters, like [Alfred] Hitchcock, for example, who works absolutely within this sensational realm. You feel like you can always tell what temperature a room is in a Hitchcock film because the people feel alive, they don't feel like they're just being filmed on a stage.
I didn't want to be a loser, but I didn't want to fit in at the same time because I don't like just being ordinary. So it's one of those situations where I always kept my head up.
I've always enjoyed Twitter. I enjoy it a lot less now that I'm in WWE, I'll be honest. Because the number of idiots that have access to you is exponentially more. I feel like people shouldn't be able to tweet whatever they want without consequences.
To be absolutely honest, what I feel really bad about is that I don't feel worse. There's the ineffectual liberal's problem in a nutshell.
I love wearing the exact same thing all the time because I think it makes you like a cartoon character. They always wear the same outfit and everybody always remembers them for it, so I feel like I should do the same thing.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
I wouldn't like to say that I'm absolutely God conscious. It's like everybody else. We're battling with the forces that are pulling us upwards and downwards at the same time. But basically we all want love, that's what I feel.
I grew up in LA so I'm definitely a West coast girl. It's a totally different beach. It's a totally different ball game. I feel like on the East Coast being at the beach is something they don't get to do a lot. So you get this feeling where feel the energy of everybody just being so excited to be on vacation or in the sun. Here in LA I feel like we get that a little bit more so we don't appreciate it as much. But there you could really feel the energy.
I think that's a luxury - to have a nomadic life and to be a kind of bohemian. You feel totally free and you can adapt yourself very easily. But at the same time you can totally lose balance, because you don't know where you belong anymore.
Teachers, people, and, to be honest, some of my classmates didn't understand me. I was the person they didn't like because I would always speak my mind and had a lot of energy. I'd be bouncing around all the time, being very opinionated.
Films are subjective - what you like, what you don't like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there - I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies.
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