A Quote by Gallant

I remember keeping a lot of journals and diaries and trying to form a complete thought just based off of those immediate, raw feelings. If anything, I was conscious about how I just always wanted to be as honest as possible, no matter how vulnerable it would make me seem.
I've always been steady on and off keeping diaries and journals. I try to document everything so I can remember it the older I get.
I've had enormous luck and enormous pleasure in working in such forms as movies and plays that I loved when I was a kid and I just - because I could always write dialogue, because I always had a sense of how people spoke. And because I had a strong narrative sense; growing up and loving stories, loving novels, I just seem to know how to tell a story and I read a lot, I went to a lot of movies, I went to a lot of plays, and it rubbed off on me. And that's all. It just rubbed off on me.
The writings are often written in a kind of exhaustion or delirium, I try very hard not to censor myself, to be as honest and vulnerable as possible, as one would in a diary. As a child I used to write my diaries backwards in cursive. No one else could understand them. I think it trained me to be bold and admit feelings that I might feel otherwise scared to write down.
Everybody always asks me about carries, what I thought about it, how I felt, but when you got teammates like that who love you and care for you, it don't matter how you feel or how bad it hurts, you've got to make sure you're making those guys happy by helping them win, getting a victory.
I wanted to write about relationships in a more honest, raw sort of way. Get away from all those cliches about how 'time heals' and how you can be the better person. Less sugar-coating and more 'feel the pain.'
That's how disagreements always ended with Hugh Hefner; he would just stomp off, and you were left to pick the pieces of your self-worth up off the floor. I'd invested every part of myself in the mansion and had nothing waiting for me outside those gates. I felt so trapped and so vulnerable to his criticisms.
We live in such a service-based, globalised economy where very few people actually make anything and the people who do make stuff... it's all part of a massive global supply chain. So what if all those chains were suddenly cut, how would you make something? How would you keep people alive? And that was something I wanted to explore.
No matter how dark it looks, no matter how long it's been, no matter how many people are trying to push you down; if you will stay in faith, God will always take you from Friday to Sunday. He will always complete what He started in you!
I always thought I'd eventually learn how to draw really well, and despite constant evidence to the contrary, I just kept on trying. If you're too good at anything, you don't have to think about the process, whereas I feel like I spend my life with my head under the bonnet, trying to understand how everything works.
I think a lot of bands would just make a dark, bleak album, which is why we wanted to do the opposite. We wanted to let people know that there's hope out there, and that no matter how tough things get, they will always get better. I'm really proud of that.
Every time I smacked my right foot to the ground I couldn't absorb shock. So no matter what, I've thought about this a lot, it doesn't matter what my life in football would have looked like, it was so traumatic for me that I just couldn't play the game I loved. And I didn't know how to handle that as a teenager.
People always talk about what they do the night before, but to be totally honest what you do the night before isn't going to make a huge difference in how you look. Maybe eating a giant burger and being bloated would make a difference, but other than that it's the lead-up. For me it's always about trying to consistently maintain a fit and body-conscious eating schedule so three days before I'm not like, Oh my God, I have a bathing suit shoot I have to do.
I've been doing stand-up longer than I've been doing anything. It's just learning how to act on camera, trying to get better at that, figuring out how to make my humor translate and bounce off other people. It's not a big challenge, but the main thing is just trying to be on point and be the best I can be on these shows.
I don't like to be noticed. The older I've got, the more reclusive I've become. I've got late-onset shyness. People are lovely. When they see me in the street, they don't ask for anything from me. They just say: 'I thought it was you, and I just wanted to say how much I enjoy your books,' but I can't seem to cope with it anymore.
When you did the job, you thought you were just trying to amuse your friends who are all on the job. I'm just trying to make the sound guy laugh, the script supervisor. A movie like Caddyshack, I can walk on a golf course and some guy will be screaming entire scenes at me and expecting me to do it word for word with him. It's like, 'Fella, I did that once. I improvised that scene. I don't remember how it goes'. But I'm charmed by it. I'm not like, 'Hey, knock it off'. It's kind of cool.
It wasn't about how she looked, which was pretty, even though she was always wearing the wrong clothes and those beat-up sneakers. It wasn't about what she said in class--usually something no one else would've thought of, and if they had, something they wouldn't have dared to say. It wasn't that she was different from all the other girls at Jackson. That was obvious. It was that she made me realize how much I was just like the rest of them, even if I wanted to pretend I wasn't.
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