A Quote by Galway Kinnell

To me, poetry is somebody standing up, so to speak, and saying, with as little concealment as possible, what it is for him or her to be on earth at this moment — © Galway Kinnell
To me, poetry is somebody standing up, so to speak, and saying, with as little concealment as possible, what it is for him or her to be on earth at this moment
I wanted her to to go on talking and understand without me saying anything. I wanted her to love me enough to leave him, to pack us up and take us away from him, to kill him if need be. (107)
I can only speak for myself, but when I was growing up in Memphis - and having the Martin Luther King holiday and the moment of pause on April 4th - he was just a statue to me. I wanted to make him a little bit more real to me as a human being.
I live to feel her fingers move inside of me like this. The bus makes another stop. A fat man climbs aboard, hauling himself up the stairs. I would kill him for one more moment with her fingers inside me. I don’t have to. She gives me my moment for free. He lives because of her generosity. We all live because of her generosity.
I will never forget that the only reason I'm standing here today is because somebody, somewhere stood up for me when it was risky. Stood up when it was hard. Stood up when it wasn't popular. And because that somebody stood up, a few more stood up. And then a few thousand stood up. And then a few million stood up. And standing up, with courage and clear purpose, they somehow managed to change the world.
Both Matilda and Lavender were enthralled. It was quite clear to them that they were at this moment standing in the presence of a master. Here was somebody who had brought the art of skulduggery to the highest point of perfection, somebody, moreover, who was willing to risk life and limb in pursuit of her calling. They gazed in wonder at this goddess, and suddenly even the boil on her nose was no longer a blemish but a badge of courage.
Brigan was saying her name, and he was sending her a feeling. It was courage and strength, and something else too, as if he were standing with her, as if he'd taken her within himself, letting her rest her entire body for a moment on his backbone, her mind in his mind, her heart in the fire of his. The fire of Brigan's heart was astounding. Fire understood, and almost could not believe, that the feeling he was sending her was love.
Whereas if you were writing an op-ed piece or an essay, somebody would be asking, "What's your point?" With poetry you can stay in a moment for as long as you want. Poetry is about metaphor, about a thing standing in for something else. It's the thing that opens out to something else. What that something else is changes for readers. So what's on the page - it falls away.
When Marlee [Matlin] won her Oscar, she said, "and I just want to thank my parents." When I was saying those words for her, I knew my parents were in the audience. I was saying it for her and a little bit for myself, even though I wasn't saying it in sign language and they didn't understand what I was saying.
Tatiana...you and I had only one moment..." said Alexander. "A single moment in time, in your time and mine...one instant, when another life could have still been possible." He kissed her lips. "Do you know what I'm talking about?" When Tatiana looked up from her ice cream, she saw a soldier staring at her from across the street. "I know that moment," whispered Tatiana.
Next moment he was standing erect on the rock again, with that smile on his face and a drum beating within him. It was saying, "To die will be an awfully big adventure.
[On growing up in a large family with little money:] ... to take a bath ... we just had a pan of water and we'd wash down as far as possible, and we'd wash up as far as possible. Then, when somebody'd clear the room, we'd wash possible.
She looked up at him with a smile. The smile broke what was left of his resistance - shattered it. He had let the walls down when he'd thought she was gone, and there was no time to build them back up. Helplessly he pulled her against him. For a moment she clung to him tightly, warm and alive in his arms. Her hair brushed his cheek. The color had come back into the world; he could breathe again, and for that moment he breathed her in - she smelled of salt, blood, tears, and Tessa.
...a chasm opened in the earth and out of it coal-black horses sprang, drawing a chariot and driven by one who had a look of dark splendor, majestic and beautiful and terrible. He caught her to him and held her close. The next moment she was being borne away from the radiance of earth in springtime to the world of the dead by the king who rules it.
The moment I was introduced to my wife, Emma, at a party I thought, here she is - and 20 minutes later I told her she ought to marry me. She thought I was as mad as a rat. She wouldn't even give me her telephone number - and she wrote in her diary: 'A funny little man asked me to marry him.'
The moment I was introduced to my wife, Emma, at a party I thought, here she is - and 20 minutes later I told her she ought to marry me. She thought I was as mad as a rat. She wouldn't even give me her telephone number - and she wrote in her diary: "A funny little man asked me to marry him."
But the problem is that when I go around and speak on campuses, I still don't get young men standing up and saying, 'How can I combine career and family?'
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