A Quote by Gao Xingjian
To subvert is not the aim of literature, its value lies in discovering and revealing what is rarely known, little known, thought to be known but in fact not very well known of the truth of the human world. It would seem that truth is the unassailable and most basic quality of literature.
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What are works of art for? to educate, to be standards. To produce is of little use unless what we produce is known, is widely known, the wider known the better, for it is by being known that it works, it influences, it does its duty, it does good. We must try, then, to be known, aim at it, take means to it. And this without puffing in the process or pride in the success.
The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss, and have found their way out of those depths.
Science is a way to teach how something gets to be known, what is not known, to what extent things are known (for nothing is known absolutely), how to handle doubt and uncertainty, what the rules of evidence are, how to think about things so that judgments can be made, how to distinguish truth from fraud, and from show.
The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss, and have found their way out of the depths. These persons have an appreciation, a sensitivity, and an understanding of life that fills them with compassion, gentleness, and a deep loving concern. Beautiful people do not just happen.
The vast majority of us imagine ourselves as like literature people or math people. But the truth is that the massive processor known as the human brain is neither a literature organ or a math organ. It is both and more.
AJ Styles, he is very well established, very well known. He had a name that was very well known. I would think, outside of WWE, his might be the most outside-recognized wrestling name in the world. Samoa Joe as well. He could have debuted straight to Raw or SmackDown, absolutely.
How does one stay mindful? Where feelings are known as they arise, known as they persist, known as they pass away. Thoughts are known as they arise, known as they persist, known as they pass away. Perceptions are known they arise, known as they persist, known as they pass away. This is how a monk stays awake.
Not to have known - as most men have not - either the mountain or the desert is not to have known one's self. Not to have known one's self is to have known no one.
A celebrity is well known for being well known. I'm relatively well known - but for what I've written and said, or so I fondly imagine.
There are artists who are very well known and many of us feel they should be less well known, while there are others who aren't well known and many feel deserve more attention.
There is truth and then again there is truth. For all that the world is full of people who go around believing they've got you or your neighbor figured out, there really is no bottom to what is not known. The truth about us is endless. As are the lies.
The movement of search can only be from the known to the known, and all that the mind can do is to be aware that this movement will never uncover the unknown. Any movement on the part of the known is still within the field of the known.
It's not a bad problem to have because a lot of classic acts are known for one or two songs and in their show they basically hold those songs off until the end and you sit through an hour or so of lesser known material but in our case most of the songs are well known.
I wish I'd known from the beginning that I was born a strong woman. What a difference it would have made! I wish I'd known that I was born a courageous woman; I've spent so much of my life cowering. How many conversations would I not only have started but finished if I had known I possessed a warrior's heart? I wish I'd known that I'd be born to take on the world; I wouldn't have run from it for so long, but run to it with open arms.
Overall, the human brain is the most complex object known in the universe - known, that is, to itself.
We do literature a real disservice if we reduce it to knowledge or to use, to a problem to be solved. If literature solves problems, it does so by its own inexhaustibility, and by its ultimate refusal to be applied or used, even for moral good. This refusal, indeed, is literature's most moral act. At a time when meanings are manifold, disparate, and always changing, the rich possibility of interpretation--the happy resistance of the text to ever be fully known and mastered--is one of the most exhilarating products of human culture.
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