A Quote by Gao Xingjian
In the history of literature there are many great enduring works which were not published in the lifetimes of the authors. If the authors had not achieved self-affirmation while writing, how could they have continued to write?
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The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part.
It's been more than a decade since I put that self-published novel, 'Lip Service', up on a website. Since then, many hundreds of authors have gone from self-published to traditionally published.
All the authors who've ultimately published Louder Than Words memoirs have been very happy to be chosen and excited about the possibility of having their memoir published. Even though these books deal with serious, often painful, issues, in all cases the authors felt as though writing their story would be an empowering and healing experience.
[My approach to the Bible, history does really matter.] Everything matters. But I have priorities. For instance, for me to know whether there were two Isaiahs or one is less important than the text itself. Of course I read the arguments for and against. But it's not my task in life to say there were two or three authors of Isaiah's book, or how many authors there were of Deuteronomy. This is not what I'm doing.
A lot of great authors are published before their time. That's not wrong; it's just the way it works.
Just keep writing, and try to finish that novel. Remember, all authors started exactly where you are right now; the only difference between a published author and a non-published one is that the published author never stopped writing.
Modern Arabic literature achieved international recognition when Mahfouz was awarded the Nobel prize in 1988 (.....) Mahfouz also rendered Arabic literature a great service by developing, over the years, a form of language in which many of the archaisms and cliches that had become fashionable were discarded, a language that could serve as an adequate instrument for the writing of fiction in these times.
Picture books, while less in word count, are certainly not less important. There are unbelievably skillful authors writing in this vein. Authors like Jane O'Connor and Jon Scieszka.
There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. The first kind have had thoughts or experiences which seem to
them worth communicating, while the second kind need money and consequently write for money.
Many great authors of the 19th century wrote under conditions of strict censorship. The great thing about the art of writing a novel, is that you can write about anything. All you have to say is that it's fiction.
People would react to books by authors like James and Austen almost on a gut level. I think it was not so much the message, because the best authors do not have obvious messages. These authors were disturbing to my students because of their perspectives on life.
I've had such an amazing opportunity to work on so many different types of projects that continued on to Broadway. Unfortunately I didn't always continue on with them. Still, you know, I always had such a great pride in kind of helping the authors and directors create the show.
There are many traditionally published authors who have hated the cover their publisher's decided on. Or the title or the marketing or the advertising. But there was nothing they could do about it.
If I had to write a book, I could not find anything in the world worth saying - as is indeed the case with many voluminous authors.
For me, books were my source of affirmation. Alice Walker, Audrey Lord - it was these authors who wrote about their experiences. It was this weird thing where I was censored in terms of what I could watch but not in terms of what I could read.
MCs are authors, and rock musicians who write lyrics are authors, to a degree.
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