A Quote by Gareth Bale

I've certainly not got any famous people's numbers on my phone. It's just not my thing, really. — © Gareth Bale
I've certainly not got any famous people's numbers on my phone. It's just not my thing, really.
I wasn't going off to New York to be more famous than my father, but in retrospect, that certainly was driving me. He was famous in Philadelphia, but it was also really important to him to be famous. And to a certain extent, I got some of that, even though there were parts of it that horrified me.
For me, for the type of addict I am, when I start getting those swirly thoughts and stuff, and they talk about slippery places, slippery people and slippery things, you know, I need to - I needed to take my cell phone and eliminate all the phone numbers, change the phone numbers so no one I knew before could call me or reach me.
Famous people are deceptive. Deep down, they're just regular people. Like Larry King. We've been friends for forty years. He's one of the few guys I know who's really famous. One minute he's talking to the president on his cell phone, and then the next minute he's saying to me, 'Do you think we ought to give the waiter another dollar?'
Famous people are deceptive. Deep down, they're just regular people. Like Larry King. We've been friends for forty years. He's one of the few guys I know who's really famous. One minute he's talking to the president on his cell phone, and then the next minute he's saying to me, Do you think we ought to give the waiter another dollar?
This is a different - a different era, a different war, Stretch. So what we're - people are changing phone numbers and phone calls, and they're moving quick. And we've got to be able to detect and prevent. I keep saying that, but this is a - it requires quick action. . . .
People have no memory of phone numbers now because of the cell phone - their address book is in a cell phone.
I want to be really special, I want to be really good. It's not enough to be famous for me. Famous is empty so quickly, it's not what people think it is. It's wonderful, but if you're famous and you feel that you're an artist inside and everyone thinks you're just a celebrity, it's really painful.
I always thought it was strange when these artists like Kurt Cobain or whoever would get really famous and say, 'I don't understand why this is happening to me.' There is a mathematical formula to why you got famous. It isn't some magical thing that just started happening.
If I got too famous, I'd just quit acting, but I think it's highly unlikely I'm going to get really famous.
I'm really rubbish with technology; I'm super backward! I think I got a mobile phone last out of all my friends. I really worried about people being able to get hold of me at any time - I really hated that idea.
When you become famous, you start getting invites to parties where there are famous athletes and famous rock stars, politicians, people who have tremendous power and affluence. It's not in my DNA, but certainly I have been exposed to it.
So I just got on the phone and the engineer just patched me in and I did reports. I'd get a community leader and bring him to the phone, call up the station and do an interview over the phone with the guy.
The theory of numbers is particularly liable to the accusation that some of its problems are the wrong sort of questions to ask. I do not myself think the danger is serious; either a reasonable amount of concentration leads to new ideas or methods of obvious interest, or else one just leaves the problem alone. "Perfect numbers" certainly never did any good, but then they never did any particular harm.
I think people's perception is that when you're famous, you want people to love you. That's a big part of why people become famous, because they don't just want love, they want it on a grand scale. But once you realize - and it's not a big trick to really figure it out - that it's just completely artificial, an external pumping of the ego that's never going to really help you, then it's an easy thing to step out of it. That's probably why Harrison Ford lives in Jackson Hole, Wyoming.
I've had to deal, a lot, with my own sense of intimidation at meeting famous people - especially actors, but really any famous people.
To be an artist is not about fame; it's about art, which is this intangible thing that has got to have lots of integrity, whereas being famous doesn't really take any integrity. But I think you have to admit that you want to be famous, otherwise you can't be an artist. Art and fame together are like a desire to live forever.
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