A Quote by Gareth Barry

As a younger player, I never really thought about where I should be on the field. It was just about doing a job. — © Gareth Barry
As a younger player, I never really thought about where I should be on the field. It was just about doing a job.
I've been doing my job for a long time and I never really thought about being an actress or being anything like that. I was always a bit scared as well because of the thing about models becoming an actress and all that. I just never really took it seriously.
For the first records I really never thought about anything other than the song itself. I thought that this was what the job of a songwriter was. I was really approaching music from a very different standpoint. To me when I was younger the song was just the melody. I think as I've gotten older and have been recording myself I've become aware of just how many layers can exist within a song besides just the main vocal.
I'm 19 years old. I think I'm doing a pretty good job...Basically from my heart I really just want to say it really should be about to music. It should be about the craft that I'm making. This is not a gimmick and I'm an artist and I should be taken seriously.
When I talk about the early years in Oakland, I don't want to take anything away from who that player was, because that player was still a heck of a player, that player was just young. I played off the field the same way that I played on the field.
I never thought about success. I always thought about doing the job at hand. My goal was getting through the show that night.
One of the first TV shows that I did was this prank show. And we did a prank where we took a Michael Jackson impersonator and I played his publisher.I was just really good at my job.We were just about to go onto the field to throw out the first pitch just two weeks after 9\11. It was a huge security breach, and we made a lot of cops look really dumb. Producers of the show thought it would be really funny and I didn't think about it because I was a young dumb comedian. So I got arrested and went to jail in the Bronx, and now I can never go back to Yankee Stadium.
A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.
I want the look of a movie to be secondary. I really want people to be engaged in the story and the characters and not think about a style or think about me or think about the director of photography and what a great job he's doing. I never feel like that should be there.
And I never thought about how the lights don't go out, so you never really rest, in that way. I never really thought about the intensity of being watched, all the time. Those are some things that I didn't know about prison.
I never really talked about being an NBA player or a college player. I just really like playing basketball.
Now, the reason that we think computer science is about computers is pretty much the same reason that the Egyptians thought geometry was about surveying instruments. And that is, when some field is just getting started and you don't really understand it very well, it's very easy to confuse the essence of what you're doing with the tools that you use.
I started in theater; I did theater in New York for 14 years before I even thought about doing movies - I never thought about being in a film; it just never occurred to me.
If you ask anybody about their life, usually the first thing they talk about is how their wife is doing, how their kids are, they don't usually say "My job, my job, my job". It's really true. It's usually about your family.
Just draw 'cause you love it, you know, I think that's why you should be doing it. You should always be doing art for the right reasons, um, and with the best intentions. Anything at all is completely possible and I think that's what I like about drawing. I think it's just really fun. You can do anything you want. And that's part of, like, what's really enjoyable about it... is kind of losing yourself in it.
It's funny: now we're starting to do interviews, we've just begun to understand what we're doing, whereas before, without doing interviews, we never really thought about motives.
I absolutely never thought I would! But it's something to look forward to in my career. I'm not just the young, leading guy who falls in love, simple and naive. Even just doing Enjolras recently in Les Mis. I used to cover Marius and thought: "Oh, that's simple. What I should be doing." But then when I got Enjolras, I hadn't even thought about it. He's more powerful, sure of himself, a leader. It was nice! It was much harder singing, passionate, declamatory. Which was awesome - and now this!
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