A Quote by Gareth Barry
In 2012, we had just won the league with City, and I was really high on confidence going into the Euros when I picked up an injury, which meant I couldn't go.
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Just recently, the administration of Barack Obama, which has broken all sorts of records in regards to deportation, picked up a Guatemalan man living here [in U.S]. I think he had been living here for twenty-five years, had a family, a business, and so on. He had fled from the Mayan region and they picked him up and deported him. To me, that's really sick.
I grew up here in St. Albert, which is a city just north of Edmonton, and I went to Grade 10 here at Paul Kane High School. But then I went to junior in the WHL, Western Hockey League, at age 16. So I left and went to finish school at Norkam High School in Kamloops for grades 11 and 12.
I had never really felt settled in Brooklyn. I think it had to do with growing up in New Jersey and being someone who her whole life wanted to live in the city, and the city meant Manhattan.
As nervous as I am to pick up a water bottle, that's how nervous I am to perform. My confidence is very high. I really enjoy going up, I feel like it's my birthday everyday that I have to go up there.
Making my debut at Man City, playing with my brother, that was a high point and was amazing. Going to Charlton and winning the League One championship. Even when I was at Southampton, my first year there I really enjoyed it.
I'm really not an injury-prone player. I just had that one injury that took, like, two years.
Detroit is still seen as the tough city, a city that has a reputation for high crime, ... The tough city thing is fine. Its always had a reputation as that. ... You know, Gordie Howe, when I was watching hockey, was the toughest guy in the league playing for the Red Wings. He represented that tough aura.
When I'm out and about or walking my dogs, United fans are coming up to me saying, 'We'd rather City win the league than Liverpool.' It's strange to hear, but I can assure you the United players aren't going to leave a red carpet and say, 'Go on, City, score past us.'
From any traumatic injury, you're going to experience a lack of confidence. There's a whole process you have to go through to break free of that.
I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.
I ended up dropping out of high school. I'm a high school dropout, which I'm not proud to say, ... I had some teachers that I still think of fondly and were amazing to me. But I had other teachers who said, 'You know what? This dream of yours is a hobby. When are you going to give it up?' I had teachers who I could tell didn't want to be there. And I just couldn't get inspired by someone who didn't want to be there
While I was trying to save money to go to the National Institute of Dramatic Art in Australia I ended up getting all of this experience which meant that by the time I had enough money in the bank to go to school I didn't really need to go to school anymore.
I'm just maintaining the same mindset that I had going into the 2012 Olympics and Olympic trials, which is just, whatever happens, happens.
You know, I came in as a rookie and didn't get to play much at all, really. Became a sponge. I had to go through the rough, get cut a couple times, take the G-league route, which was the D-league back then.
When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn't want to give up being the DP, and really wanted to do both. And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
I read as much as I could, but really just spoke to Chris Chibnall and asked all the pertinent questions. That made me feel like we weren't going to do an off-the-peg Camelot, which has been touched upon in many films and TV series before. I really just picked his brain and, in doing so, I got fired up by tackling Merlin in a fresher angle.
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