A Quote by Gareth Edwards
I like jumping to perspectives that aren't necessarily part of our characters, like suddenly you're in a window, looking from someone's house.
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We can open up our computers and Skype with someone, and we see them. It's like looking through a window. And we can surf the internet through our phones, and it's like our consciousness is far away. Or we can step through a airplane door and be in another continent a few hours away. So technology feels, to me, like the doors sort of already exist, at least emotionally.
What I really felt like, though, was committing suicide. I felt like jumping out the window. I probably would've done it, too, if I'd been sure somebody'd cover me up as soon as I landed. I didn't want a bunch of stupid rubbernecks looking at me when I was all gory.
I remember when my daughter was twelve, suddenly a boy started hanging out in front of our house after school. It was this kid, Justin. My office at the time was right in the front, so I just looked out the window. I couldn't write. I couldn't concentrate. I was like, "What are you doing? What do you expect to achieve by standing in front of my house with my daughter inside?" I hated that kid so much.
I want to make sure I'm climbing because there's no back-up. No one in my family has a house, and, regardless of your background, if someone has a house, that means you can always come back home. When you don't have that, it's like there isn't anywhere to stand, so you have to keep jumping.
In order to like someone you don't necessarily need to agree with them. It's part of our nature to want to connect.
That her relationship with him was like being content in a house but always sitting by the window and looking out
When you have a child, your previous life seems like someone else's. It's like living in a house and suddenly finding a room you didn't know was there, full of treasure and light.
Usually, I like to play sophisticated-looking characters. I want to do 'Godfather'-like characters. Given my voice and style, such characters will be apt for me.
I felt like jumping out a window when I heard Streisand was doing it. I'd played it four and a half years - I thought Dolly was mine. But after the initial shock wore off, I realized no great part is ever exclusively anybody's.
We always joke now like, you know, the more experienced we get making stuff, we're like, "Never leave set without a shot of each of our lead characters driving in the car looking happy, looking moderately blank and looking sad." Because we know we're going to need these things.
One of the jobs of art is to inspire discussion, and Brokeback Mountain certainly has done that. It's like a window and a mirror. You're looking through a window at lives you may or may not have experienced. But it's a mirror in the sense we've all felt lonely; we're all, at one time or another, looking for and hoping for love.
I don't like roller coasters. I don't like bungee jumping. I don't like snow boarding really fast down the hill. I am not someone who is an adrenaline junkie.
At the beginning of a remodel, money is everything, but as you go along, it becomes secondary to the vision. You can't have the house looking like a glorious jewel and leave the cracked linoleum or the icky light fixture, so you spend and spend and spend. Then one day it suddenly occurs to you that all that play money you've been throwing around is real - and it's in someone else's bank account.
Find something that makes you happy, like looking at beautiful pictures, or, if you're able, listening to beautiful music, or sitting by the window and looking outside - small things like that can be absolutely huge.
Tommy had felt alone in a crowd before, even inferior to everyone in a crowd, but now he felt, well, different. It wasn't just the clothes and the make up, it was the humanity. He wasn't part of it. Heightened senses or not, he felt like he had his nose pressed against the window, looking in. The problem was, it was the window of a donut shop.
I was thinking about what would it be, what would the characters be like, and it just suddenly dawned on me that, hey, nobody is doing an underseas show. So I started drawing these weird invertebrate animals, various characters like crawfish and starfish and squids and sponge.
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