A Quote by Gareth Edwards

I like grey, not black and white. Even the bad creatures, you want to give them a moment where you empathise with them. You realise that what they do isn't so evil. — © Gareth Edwards
I like grey, not black and white. Even the bad creatures, you want to give them a moment where you empathise with them. You realise that what they do isn't so evil.
The colour grey makes you feel uneasy, makes things seem complicated and hopeless, it upsets the notion of black and white. Good and evil? There is no such thing. There is a little good and a evil, a little black and a little white. Grey is not an attractive colour, but perhaps it is the one that describes the world most accurately.
Even if people do wrong, we're social animals, so what can we do about stopping them doing the same things in future? Saying people are 'bad' or 'evil' is just an unwillingness to engage; an unwillingness to try to empathise. That sanctimonious attitude doesn't help anyone.
Even if people do wrong, we're social animals, so what can we do about stopping them doing the same things in future? Saying people are 'bad' or 'evil' is just an unwillingness to engage; an unwillingness to try to empathise. That sanctimonious attitude doesn't help anyone
In places like Germany or France the idea of black-white is not so much black-white but "our people and them," and "them" can be people from the near east like Turks or Muslims or North Africans, all of whom might well be considered white in the United States.
I do feel in 2018 that pro wrestling has gone in such a different direction. Before, things were so black and white; now, it's shades of grey. It's not so much good guys and bad guys: there are people who are put in situations who do the right or wrong things, but people react to them like they are stars.
The black masses want not to be shrunk from as though they are plague-ridden. They want not to be walled up in slums, in the ghettos, like animals. They want to live in an open, free society where they can walk with their heads up, like men, and women! Few white people realize that many black people today dislike and avoid spending more time than they must about white people. This 'integration' image, as it is popularly interpreted, has millions of vain, self-exalted white people convinced that black people want to sleep in bed with them - and that's a lie!
Most of life is grey, with a little tiny bit of black and white. We're always subject to what I call the compression industry, which is an attempt to compress a million shades of grey with a little bit of black and white to just a hundred, or to ten, or to one!
The thing I'm obsessed with is really great bad paintings. I have a storage locker full of them and I want to give them their own museum. You don't even know who these artists are - you can buy them at garage sales, antique stores and places like that. They're brilliant because they were done with the intention of being great, but the artist sort of made a wrong turn. Some of them are hilarious and I can't get enough of them.
No characters in 'Stay Close,' including the leads, are black and white. I want them to be grey. I think that makes for a much more interesting reading experience, something that will stay with you a little bit longer.
With the White Stripes we were trying to trick people into not realising we were playing the blues. We did not want to come off like white kids trying to play black music from 100 years ago so a great way to distract them was by dressing in red, white and black.
My uniform: grey suit, white shirt, grey tie and tie bar, grey cardigan and black wingtips.
None of us are good or evil, and that frustrates us because we want to see others as wearing a white hat or black hat. My hat is grey.
The Americans at heart are a pure and noble people; things to them are in black and white. It's either 'rawk' or it's not. We Brits putter around in the grey area.
As far as I knew white women were never lonely, except in books. White men adored them, Black men desired them and Black women worked for them.
I've been around enough to realise that there are two things that once people have them, they don't want to give up, and it's extremely difficult to convince them to give up: one is privileges, and the other is subsidies.
Black people don't know what white people are talking about when they talk about a Sister Souljah moment. I tell them it's the moment you meet a proud, beautiful black woman you can never forget.
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