A Quote by Gareth Gates

I was terrible when I first started skating and was clinging onto the side for dear life, but it's something I'll always have now, and the tour is always so much fun. — © Gareth Gates
I was terrible when I first started skating and was clinging onto the side for dear life, but it's something I'll always have now, and the tour is always so much fun.
Doing shows is always a side of skating that I've loved, it's the performing. I get to do that without the pressure, it's always fun between the skaters and the preparation, the show is always so much fun.
I started skating at age 2 on roller skates on the South Side of Chicago, where I grew up. By age 4, roller-skating was something I really enjoyed. Everyone around me wanted to do the 'roll bounce' thing, but I was pretty much only interested in going fast.
My mother and my father have always supported me. Now in their eighties, they actually clamor onto the tour bus with me once or twice a year so they can watch the performances and hear the crowds. Traveling with eighty-something-year-olds on a tour bus... there has to be some sort of reality show in that.
I always loved music, to dance, and to be really active. When I started skating, it was the first time all of these things came together. It felt like magic, and I always wanted to be at the rink.
I went on tour with the Rolling Stones in 1972 for two or three cities. And in 1975, I was the tour photographer for the Rolling Stones. I hung onto my camera for dear life. Because it scared the hell out of me.
Although in skating you compete with other people, anyone who achieves a certain level of success is first and foremost competing against themselves. And for me the idea that I could always do better, learn more, learn faster, is something that came from skating. But I carried that with me for the rest of my life.
I have a sweet tooth problem. On tour, in catering, the dessert was always so good. When we started the tour I was in the best shape of my life, but by the end of it I was horrible.
I was always a visual artist my whole life, and I came to music really late - when I was 21 or 22 was the first time I ever touched a musical instrument. For me, it was always this fun side hobby.
There is a lack of humor in fashion. To me, it's always been the fun, cool industry to work in, and I always wanted people to be on my side and see how much fun we really have behind the scenes.
Although in skating you compete with other people, anyone who achieves a certain level of success is first and foremost competing against themselves. And for me, the idea that I could always do better, learn more, learn faster, is something that came from skating.
I am always living in the now, so I like what fate brings to you. That's always fun for me. To have a process and someone be like, 'How about this?' And you just grab onto that and see where it takes you.
There're two different kinds of skating. There's the style skating, and there's the trick skating. He (Tony Hawk) does the trick skating so heavy duty, that he can overcome the style skating. There's always the chance that the style skater can come back, but the whole deal really is learning tricks.
A pair of hands clasped in earnest prayer is the best means we have this side of heaven to hang onto Jesus for dear life.
I think the narcissism comes from the industry side of things. The artistic side of a person is never narcissist; it's always empathic, it's always kind and compassionate. It can be difficult to hold onto artistic principles when the business is so glaringly about the product. It's sad.
I usually just write down what I'm doing and how I felt. How I felt if I'm skating fast, compared to if I'm skating slow or if I'm tired. I can always go back and look as a reference and see what I was doing. It's pretty much my life on ice.
Just skate for fun, don't pick up a skateboard because you want to be a pro one day. Don't forget why you started skating in the first place.
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