A Quote by Gareth Southgate
I think we've always got to have a mind of the feeling for the supporters about the importance of each match. We've got to be careful not to make tournaments too big and then make qualifying too straightforward.
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He read a lot. He used a lot of big words. I think maybe part of what got him into trouble was that he did too much thinking. Sometimes he tried too hard to make sense of the world, to figure out why people were bad to each other so often. A couple of times I tried to tell him it was a mistake to get too deep into that kind of stuff, but Alex got stuck on things. He always had to know the absolute right answer before he could go on to the next thing.
After 'The Empire Strikes Back,' I got to make big films that I didn't care about, 'Never Say Never Again' and 'RoboCop 2,' and then I got too old.
I convinced my wife to let me climb Everest. I emptied my savings and took out a loan so I could afford to make the trip. I wanted to do it solo and I pushed myself too hard. I was carrying too much gear and got altitude sickness. I meditated to the point where I was feeling better, but didn't make it up, because I got involved with a rescue.
Trust is always a factor. You've just got to look at the big picture, and you've got to look at the small picture - the small picture in the sense that you've got to make every scene work and you've got to deal with what people are presenting you with, too.
They started saying stuff like 'Should we cut the movie? Is it too this, too that?' It got drastic. It got heated. I said, 'Wait a minute, folks. I didn't make 'Smokey' for big-city audiences. I made it for the South, the Midwest and Northwest. Those are my people.'
And the reason I came to IBM was I think - I always say at a really early age, I learned you've got to be passionate about what you do. No matter what it is, you put too much, your heart and soul in it, you have to be passionate about it. You make too many sacrifices.
Tennis can be a grind and there's always the danger of going stale if you think about it too much. You can get embittered if you train too hard and have nothing else on your mind. You have to be able to relax between matches and between tournaments.
You got to be careful to not get too comfortable with incremental improvement. I think sometimes you just got to jump off a ledge.
You've got to be really careful about what you say and do anywhere you are. I actually had a dream about being in parking garage and having somebody in front of me taking too long to get their change and honking the horn and then yelling back, and getting out and yelling at each other and then seeing it on YouTube the next day.
I learned very early on once I started boxing as a kid that if you go into the ring emotionally charged you make mistakes. It's a mental game, it's a chess match, you've got to think, you've got to strategise and make tactical decisions.
I think the more mediocre you are the better you do because people need to think you're their friend, they don't want to be threatened by you, you've got to be warm, you've got to be not too smart, not too pretty, not too anything.
The fashion business got boring. I was working with big companies, but the minute it became too formulaic, I got bored with it. I wanted to do a creative space where I could just make stuff - kind of like an atelier, where I could collaborate with other artists, drape geometric shapes on the body, make cushion covers, or whatever.
The dreadlocks were easy to maintain: I got up in the morning and flicked my head. If they got too big, I'd pull them apart every now and again. In the end, I got too old for them.
Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.
You're always getting a perfect vibrational match to what you predominantly give your attention to. But you've got to make the best of it. You've got to vibrate slightly different from where you are if you are going to improve where you are. You can't keep taking score of where your business is or your relationship is or your body is without continuing to create it as it is. To make improvement, you've got to reach for a different thought.
You can't be a good actor if you get too affected by fame. Because then you're not real, and you're not really wanting more. You look at a lot of actors who, before they were famous, did a lot of amazing work, and once they got too big, it just got off.
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