A Quote by Gareth Thomas
I became a master of disguise and could play the straight man down to a tee, sometimes over-compensating by getting into fights or being overly aggressive because I didn't want the real me to be found out. So I created this alter ego, knowing full well that I was living in my little fantasy bubble, my shell.
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Sometimes I wanted to be aggressive. I felt like if I wasn't getting shots up or if I wasn't being overly aggressive on defense then I wasn't playing good. I finally realized just to slow down and just let the game come to you.
I was very shy as a kid but when I found out I could perform and have people's attention everything changed for me. My mom likes to joke that until I was eight or nine I only knew what my sneakers looked like because I constantly walked around with my head down. But all of a sudden the stage made sense and that's what brought me out of my shell and a monster was created.
J. Tillman was kind of an alter ego. There was a lot I didn't want people to know about my real life. With Father John Misty, I leave everything in: so much so that I lose sleep before these albums come out because there is always a line or two in there where I'm just like, 'This is not going to go down very well.'
Master's degree in journalism served several purposes. It helped me to break down and understand scripts. And the discipline of getting my master's gave me a certain amount of confidence. I don't think college is the only path, but I enjoyed it and it worked out very well for me. I had some good friends with whom I could get a little crazy, but still be responsible. It was the perfect bridge from living at home to independence. I also love learning. I might have been a professional student and earned a couple of doctorates, if I didn't have to pay bills.
I've grown fonder for Hillary Clinton since she ran for the presidency. I think that it's emblematic of the Rolling Stones song, you can't always get what you want, i.e., the grail. Sometimes you get what you need. And whatever she's gotten over the last couple of years, being humbled or be it being humbled and see the proletariat come to bat for her, getting outside of the bubble, getting out of this man's shadow, not quite getting the job she wants but a great wonk job.
I definitely have an alter ego that can come out and get me out of situations where I'm having social anxiety. I can take a deep breath and create a bubble so I can perform in some way.
I never knew how passive-aggressive people could be until I became a parent. Or even aggressive-aggressive. It actually began before I had a child. A relative asked me out to lunch and told me I was too old for motherhood.
When I found out about being cast in 'Spider-Man,' it was like this bubble developed around me. I was floating in it for a while. And then, suddenly, it evaporated, and I was like, 'Well, I'm just an actor. I don't get to actually be Spider-Man.'
I have lived so long among people who do not understand me, been so long accustomed to refrain and disguise myself for fear of being laughed at, that I have grown as difficult to come at as a snail in a shell; and what is worse, I cannot come out of my shell when I wish it.
I was always really shy. That's why being in front of cameras like this is uncomfortable. I found that when I was a kid, I would hide behind playing pretend. That's when I would come out of my shell. I would dress up as an old man or something and go out onto the street with my mom. I would come out of my shell that way. So I ended up stumbling into acting. It was the one thing that I found a passion for.
I try to maintain an even tempo in all the games. Sometimes you play well and sometimes you get out. When you get out, you feel it is a wrong shot. Most players in tough situations play shots that could be out, but over time you refine that and give yourself the best chance of performing, the more you play in such situations.
Too often, black athletes are presented as angry, overly aggressive and overly sexual. Or sometimes, they're just plain emasculated.
I have to be out there to sell these fights; it's not because I really enjoy getting made up and going to work every day. It's cool, it's an awesome job, but it's still a job. I'm doing it because it helps me make a living and not because I'm so extremely vain that I want to see my face everywhere.
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.
I became a real Shell Motor Oil expert, and I did this 25-minute film. It turned out really well and, as a result, they offered me more work and lots of commercials to direct.
I could hear it sometimes, but I couldn't play it. I'd been getting bored with the stereotyped changes that were being used. I found that by using the higher intervals of a chord as a melody line and backing them with related changes, I could play the thing I'd been hearing.
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