A Quote by Garret Dillahunt

I just like a good story. I want the story to be good and I want the character to be different than the last one I played. That's not always possible, but that's what I want.
What the readers want is a good story, and what the writers always want to luck into, it's a good story.
I would say a good leader brings results. A great leader writes a new story, it's different. Obviously a new story has to incorporate a lot of results. But a story is a chapter in the life of a company that people want to write and want to remember.
I want to look at this character from all points of view. I know I don't want to make them all good or all bad or all anything... the story itself often helps create the character.
My only want and wish, really, was to tell a good story. I wanted to do good work, tell a good story, and give the character a voice. Those were my only expectations.
You have such a sacred responsibility when you touch John Lewis's story, when you touch the story of the movement. You don't want to leave anything out, but you want to tell a good story so the people will read it and they're engaged and they don't fall apart with extraneous details.
Its always been the case that politicians want different things from children than good educators do. Good educators want imaginative, exploratory beings, but politicians just want economic units.
It's always been the case that politicians want different things from children than good educators do. Good educators want imaginative, exploratory beings, but politicians just want economic units.
I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you see higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality.
First and foremost, I want people to have a good read, because I want everything I write to entertain people. There are always different layers to the story, though, so if you want to think about social justice, or sexism or racism or homophobia, or really drill down into why the world is a better place when the police force looks like the people they are policing, then that's there, too.
I want a body of work; I want a good story after a good story.
A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
I just want different narratives for people of color, especially women of color. I just want something that's different. I don't want us to be put in a box. I want it to be kind of a redefinition of who were are. If I can even achieve that in a tiny way, I'll be good. I'll be good.
If the story is insensitive to a person and is not nuanced enough, that's a story I don't want to be a part of. Otherwise there is no other character that I don't want to play.
Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story.
So, it's always different. Some stuff, you want to do because it's a part that you've never played. It's always for story. Sometimes there's a story that you really dig, but there's no part that you're interested in. Sometimes you read a story and you say, "I could do that. I've never done that before. I could do play that part.
You don't want to write the same story again, but people are like 'We want the same story but different.' Well, how do you do that?
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