A Quote by Garret Dillahunt

If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun. — © Garret Dillahunt
If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.
Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell.
If you find a story that everybody likes and everybody relates to in some way, then you know you have a good story. But if you're telling a story and all the women are going, 'I'm checked out of this, I just don't really care,' then you're going to have some problems.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
Negative energy? Sure, there are awkward moments, but you're in 'Big Brother.' Everybody is trying to win, everybody is trying to form alliances, everybody is trying to kick everybody out of the house. If there wasn't negative energy, then we weren't playing the game.
If everybody can author their own story, if media is democratizing because everybody can make a really good-looking website... that's the way we learn now instead of in books. It means that more people get to tell their own story in their own terms rather than having to go through publishers and editors and executives.
Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story.
Depending on the story that you're telling, you can be relatable to everybody or nobody. I try and tell everybody's story.
Everybody likes good music, so when you're just playing good music and encouraging everybody to have fun, they'll have fun.
You have to move really fast, as a director in television. If you're able to keep things moving on set, everybody has more fun, and when everybody has more fun, the end result is funnier.
Everybody is a critic, everybody has a voice, everybody can reach you. Everybody is an expert and that's what makes it fun.
That can be undersold, I think, the importance when you're trying to do something good is that everybody understands the director's vision, everybody believes in it, and everybody can find their own path to supporting it, and that's how you end with a great movie.
The scene in the DMV now is very united. I don't know if it's for everybody but everybody is showing love, everybody is showing support. Everybody is just trying to make a name for themselves and they are willing to help other people. Everybody is willing to network and do things with people outside of who they know.
Everybody wants to be a better version of themselves - everybody. And I hope one day I can lose some weight. Maybe, who knows, I'll hire myself a trainer and a fancy cook. In five years, maybe I'll be an action hero. Then again, maybe I'll just be this guy. Who knows? But the fun part is embracing the human side of that.
Everybody comes to film differently; everybody has different backgrounds. Just find whatever your lane is naturally. Don't try to force yourself into someone else's vision or try to tell a story that you're not passionate about.
I just want to do my job and have fun and enjoy my teammates, and I don't need to tell everybody that, oh, this is what I'm doing or this is how good I am.
I'm not the go-to guy. Everybody is trying to tell their story and have different ways of telling it.
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