A Quote by Garrett Hardin

The essence of dramatic tragedy is not unhappiness. It resides in the solemnity of the remorseless working of things. — © Garrett Hardin
The essence of dramatic tragedy is not unhappiness. It resides in the solemnity of the remorseless working of things.
We live in a material world, not a dramatic one. And truth resides not in melodrama, but in the precise measure of material things.
People are drawn to watching things that are dramatic. And the tighter a relationship is, the more dramatic it can be. That's something family lends itself to. Everybody has family, somewhere, somehow. Those relationships are always very complex. This takes it to almost Greek-tragedy-level heights. That's fun to watch, although it's very uncomfortable. It explores the darkest sense of family.
The mark of a good marriage is partnership and continuing to feel inspired by your spouse. I had that with Tao. But the end is not necessarily the tragedy. Staying in a relationship that is no longer working is the tragedy. Living unhappily - that's the tragedy.
The tragedy of "Hamlet" is critically considered to be the masterpiece of dramatic poetry; and the tragedy of "Hamlet" is also, according to the testimony of every sort of manager, the play of all others which can invariably be depended on to fill a theater.
And killing time is perhaps the essence of comedy, just as the essence of tragedy is killing eternity.
Ever since ROME, OPEN CITY, I have maintained a conscious, determined endeavor to try to understand the world in which I live, in a spirit of humility and respect for the facts and for history. What as the meaning of ROME, OPEN CITY? We were emerging from the tragedy of the war. We had all taken part in it, for we were all its victims. I sought only to picture the essence of things. I had absolutely no interest in telling a romanticized tale along the usual lives of film drama. The actual facts were each more dramatic than any screen cliche.
The whole movement of happiness, unhappiness, happiness, unhappiness, could be called unhappiness. You're suffering because your state of mind is in flux, moving back and forth. The ego's happiness is really a form of suffering, because it cannot live without unhappiness.
The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty.
Unhappiness isn't just the result of genetics or past trauma or career trouble. I think that some of our unhappiness is simply due to the burden of all our things.
Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth.
My hope and my intention was that people would experience the tragedy of what Chernobyl was in every regard: a scientific tragedy, a political tragedy, an emotional and personal tragedy, all of that.
To simplify things down to their real essence, whenever things go wrong in our lives, whenever our plans go awry and the things we took for granted suddenly disappear, we have a very simple choice. We can either succumb to despair and assume the attitude of the put upon victim, powerless to change our fate, or we can decide to turn the tragedy into an opportunity.
Sometimes what we call tragedy, at least in the theater, are really case histories. They're based on the central figure, and things happen to that person, and they're called tragedy because they're extremely sad. But tragedy always has a glorious thing happen at the end of it. That's what the catharsis is.
The concept of 'home' is not just where one resides, but where the heart resides; in the purest depths of the soul.?
The environment was so strong, so dramatic. Tragedy is all over Calabria; it's in the air. All this corresponds to my temperament.
Farce is nearer tragedy in its essence than comedy is.
This site uses cookies to ensure you get the best experience. More info...
Got it!