A Quote by Garrett Hedlund

I had done chorus before in school, but I was only trying for an easy A. I was a bass going 'dum dum da doo wop. — © Garrett Hedlund
I had done chorus before in school, but I was only trying for an easy A. I was a bass going 'dum dum da doo wop.
I had done chorus before in school, but I was only trying for an easy A. I was a bass going 'dum dum da doo wop.'
You're gonna be ok, dum de dum dum dum, just dance.
You would get longer livelier and more frequent letters from me, if it weren't for the Christian religion. How that bell tolling at the end of the garden, dum dum, dum dum, annoys me! Why is Christianity so insistent and so sad?
Dummy Dum Dum was my nickname for years at school. I was the strange one of the family, the one who couldn't remember his name.
A ContraPoints video is never going to be framed as 'I'm so offended by this idea.' It's not, 'I'm so intimidated by my opponent's big, masculine brain.' It's more, 'I'm bored of you, and also, you're a dum-dum.'
For 'Dum Maro Dum,' I had a diction tutor, as I had to get rid of my Hyderabadi Hindi and learn Goan Hindi. It wasn't easy, because these two kinds of Hindi were mutually incompatible. I had to unlearn one kind of Hindi and then learn a new kind.
I was on this boat in the middle of the ocean scuba diving for this film I did, and I was with actor Mackenzie Cook, who is in it as well, and I didn't have my phone on me. The producer of the film handed me over this phone and said "someone is on the phone for you Gemma," and here I am completely in all of the scuba gear on with the tank on, and a helmet. My agent just went "dum, dum, dum, dum"(hums Bond theme song), and I just knew then, and I went ahhhh madness, and I was over the moon.
What advertising dum-dum signed up Ilie Nastase to sell a resort?! Who'd want to go where he's at?
I made a decent debut in Bollywood with 'Dum Maaro Dum.'
When 'Dum Maro Dum' came my way, I took it up without thinking that I was crossing any boundary. It was a good film, and I wanted to do it.
The first time I recorded without Allen Toussaint, I wanted to do doo-wop. Everything I've done since then has got some kind of doo-wop essence in it.
I'm no genius, sure, but I'm no dum-dum.
Doo-wop is the true music to me, man. Doo-wop was what nurtured me and grew me into who I am, and I guess even when I was in school, the teacher probably thought I had ADD or something every day, because I'd be beating on the desks, singing like the Flamingos or the Spaniels or Clyde McPhatter or somebody.
Jerry Lawler walks in here with his crown - DA DA DUM - Imperial Margerine - and talks about what he's going to do to me. Lawler, if you think you're going to beat me, if you think you can do ANYTHING to me, than you really are the king. King of FOOLS, jack!!
I did have my beginnings in doo-wop music; I had a group called the Tokens in Brooklyn. They went on, of course, to do 'The Lion Sleeps Tonight' and a lot of other great things. I went on as a soloist. But I still love doo-wop music.
'Doo-wop' is a very special word for me. Because I grew up listening to my dad who, as a Fifties rock & roll head, loved doo-wop music.
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