A Quote by Garrett Hedlund

I remember driving the tractor on our farm, and Tim McGraw would be on the radio. I'd find myself walking out of class, singing his songs. And then Tim ended up playing my father in 'Friday Night Lights.' It was surreal.
I had great luck with Tim McGraw twice in 'Friday Night Lights' and 'The Kingdom.' I love finding off-beat casting and finding someone you know in one way and you reinvent them in another way. I like doing that as a director.
Probably the first artist who really captured me was Tim McGraw. His songs 'Don't Take the Girl' and 'Indian Outlaw' were fun, and he was different than a lot of artists.
When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
I would love to do a duet with Tim McGraw. I think that would be fun.
Dave Matthews, Tim McGraw, U2, The Rolling Stones - there are a lot of artists selling out stadiums around the world that we work with regularly. And end up making most of our money with those artists.
To me, racism is so played out and corny and stupid, especially in music, where you now have Nelly doing songs with Tim McGraw, on the hit single 'Over and Over.' Anyone who thinks about that just needs to get a life.
I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then "accidentally" sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.
Our bassist, Tim Staffell, was at art college with Frederick Bulsara, who changed his name to Freddie Mercury and joined the band on vocals after Tim left in 1970.
I remember Tim Meadows gave me a radio. It was a radio he didn't want anymore. I gave it to my grandmother, and she had it 'til the day she died. To me, it was, 'I got a thing from Tim Meadows!' I think my grandmother was like, 'I got a thing from my grandson!'
There's a lot that goes into being Tim McGraw or Kenny Chesney. They have great songs, their show is great, they're very fit. When you look at somebody who takes care of themselves, takes care of their business, that's what every CEO would do.
When I was four, we moved to a farm outside Springfield, Missouri. We had a radio show from that farmhouse. My dad always wanted a farm. We used to go out and milk the cows every morning and then do a radio show with a remote control from our living room. We'd start by singing 'Keep On The Sunny Side.'
One of the high points in my career came from a time I had with Tim Conway on a film when I had him fall down with laughter. I had this scene with him where I was this mechanic down fixing his car. I can't remember what my line was as written, but they were okay with me doing a made-up line. So Tim asks me what's wrong with his car, and I look up and say, "Well, looks like you got a squirrel caught up in there."
Tim is old school. He plays that way. That's why a lot of fans identify more with a Tim Heskett than with someone who is more dynamic. The more dynamic guy might be more pleasing to the eye, but he doesn't contribute any more to his team winning than Tim does.
I think Tim Wakefield would even say tonight that Tim Wakefield got to Tim Wakefield tonight.
Growing up in Boston, I was always Matt, Son of Former New England Patriot Don. And then when my brother Tim was a senior in high school, I became Matt, Brother of Tim.
In this movie, you have all the things you love from Tim. All the magic and the whimsy and the surreal, but he also has a fantastic story of a father and son that really gets under your skin.
This site uses cookies to ensure you get the best experience. More info...
Got it!