A Quote by Garrison Keillor

You get old and you realize there are no answers, just stories. — © Garrison Keillor
You get old and you realize there are no answers, just stories.
What I love about film scoring is that all the answers are in the story. You just need to get in tune with the story and realize it musically.
When you get real old, honey, you realize there are certain things that just don't matter anymore. You lay it all on the table. There's a saying, 'Only little children and old folks tell the truth.'
Feminism is experiential; it's comparing notes. And when those stories get told, and you realize it's not just you - it's bigger - there's just a huge sigh of relief. Otherwise, you think you're crazy.
Our old stories happen to be your new stories. The stories that you're seeing as immigrant stories are your grandparents' stories, are your great-grandparents' stories. You just happen to be separated from them a little bit.
If you go to a network and say, "I wanna do prison stories about black women and Latino women and old women," you're not gonna make a sale. But, if you've got this blonde girl going to prison, you can get in there, and then you can tell all the stories. I just thought it was a terrific gateway drug into all the things I wanted to get into.
Women tell stories; men want answers. Guys get impatient when we drone on forever; we get frustrated when they tune out.
I find Hollywood gives these pat stories, and they're reassuring stories, and I don't really want to give people that. Hollywood does all that work. I'm offering, sometimes, an alternative to that. The answers aren't black-and-white. There may not even be answers in certain instances. The ground is not necessarily solid, either. So you've got to keep awake the whole time, even after the movie is over.
A young choreographer often gets hung up on thinking they have to have all the answers. As a choreographer ages, they realize that they're more of a steward to movement. We mold movement and curate and form it into plausible and understandable stories.
I'm not seeking for answers; I just want to tell stories and state my opinion.
These are the moments. These are the moments where you realize love is everywhere if you look closely. When you realize happiness isn't next weekend, and it's not last week, it's right now. That was one of the best nights of my life. It felt good to know purpose. I lay in my bunk and I think of all the stories I'm in. I think about all the stories that are in my story. I think about all the stories that are left to be written. And it might be my favorite book yet.
I got a Super 8 camera when I was eight years old, and I just wanted to tell stories - I love telling stories.
I began to realize that the most profound wisdom of man was rooted in the answers given by faith and that I did not have the right to deny them on the grounds of reason; above all, I realized that these answers alone can form a reply to the question of life.
As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.
Now, most people who suffer realize that the Bible contains answers for their plight; they just don't know where to look.
I get tired of stories that keep going and going and never get anywhere. It's like a promise that's never fulfilled. Stories need endings. Otherwise, they aren't really stories. Just pages.
Answers are what we are trying to get at; search is a process by which you may be able to get answers, but it's not the end goal. It's a mechanism.
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