A Quote by Garrison Keillor
I was afraid you had deceased,' he said. 'Or gotten engrossed in a long book.
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This book was written in those long hours I spent waiting for my wife to get dressed to go out. And if she had never gotten dressed at all this book would never have been written.
Considering Adrian had once gotten bored while reading while reading a particularly long menu, I had a hard time imagining he'd read the Hugo book in any language.
I had written a book. For various reasons, the publishing industry had decided that my book was going to be 'important.' The novel had taken me 12-and-a-half years to write, and after being with the book for so long, I had no real perspective on the merits or demerits of what I had written. I hoped it was good, but feared that it wasn't.
The music alone wasn't enough. It was great, but when an artist had an amazing look - like the MC5, or the Stooges, or Alice Cooper - you really got sucked in. The wardrobe was so important. At a show, you were engrossed in the music, but you were also engrossed in everything from the haircuts to what they were wearing.
And I saw that all my life I had known that this was going to happen, and that I'd been afraid for a long time, I'd been afraid for a long time. There's fear, of course, with everybody. But now it had grown, it had grown gigantic; it filled me and it filled the whole world.
I have insecurities. But whatever I'm insecure about, I don't dissect it, but I'll go after it and say, "What am I afraid of?" I bet the average successful person can tell you they've failed so much more than they've had success. I've had far more failures than I've had successes. With every commercial I've gotten, there were 200 I didn't get. You have to go after what you're afraid of.
I spent much of my prison time reading. I must have read over 200 large books, mostly fictional stories about the American pioneers, the Vikings, Mafia, etc. As long as I was engrossed in a book, I was not in prison. Reading was my escape.
I spoke in front of a huge gathering in Seattle, and someone got up and said, "I'm just so afraid." I said, "The only way not to be afraid is to join with other people who are also afraid."
I had been doing private readings for ten years when my guides said, "We want you to reach more people." Then I said "How?" They said, "You're going to write a book." And I said, "Oh, yeah sure, I'm going to write a book. No way." But I did an outline. And I got pushed by my development circle.
I had said from the start that I thought Iraq was a mistake, that we should have stayed focused on Afghanistan. I think it was the right decision because the Taliban at that point had gotten a lot of momentum before I'd gotten into office, partly because we hadn't been paying attention as much as we needed to to Afghanistan.
Before I wrote The Power of Now, I had a vision that I had already written the book and that it was affecting the world. I had a sense there was already a book somehow in existence. I drew a circle on a piece of paper and it said "book." Then I wrote something about the effect the book had on the world, how it influenced my life and other people's lives, and how it came to be translated into many languages affecting hundreds of thousands of people.
I was engrossed with the book, I was having difficulties with it, and I just didn't notice the years were going by.
You don't want to be like the motion picture exec who had so many people at his funeral, but they were there just make sure he was dead. Or how about the guy who, at his funeral, the priest said, "Won't anyone stand up and say anything nice for the deceased?" and finally someone said, "Well, his brother was worse."
I remember how a man once got in touch with me to tell me that he was so engrossed in my book that he had to take a day off from work just so that he could finish reading it. Such kind of responses from my readers is extremely endearing, and it keeps me going.
I had just gotten a job on 'Preacher' on AMC and was in New Orleans starting work on that. My agent called and said 'Are you sitting down?' and I said 'No' and he said 'Scott Rudin wants you to do 'Hello, Dolly!' and all I could say was 'Oh my God, I'll have to call you back.'
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
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