A Quote by Garry Disher

Delaying and withholding tactics, red herrings, partial and doubtful outcomes are stock in trade for fiction writers, especially crime writers. — © Garry Disher
Delaying and withholding tactics, red herrings, partial and doubtful outcomes are stock in trade for fiction writers, especially crime writers.
I know a lot of crime writers feel very underrated, like they're not taken seriously, and they want to be just thought of as writers rather than ghettoised as crime writers, but I love being thought of firmly as a crime writer.
There is a very conservative element of crime writers that don't recognise what I do is crime fiction.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
Life is full of a thousand red herrings, and it takes the history of a civilisation to work out which are the red herrings and which aren't.
We're trying to make something that lasts in language and there's no question that many fiction writers began as poets and it's hard for me to think of any good fiction writers who don't also read poetry.
Most crime fiction, no matter how 'hard-boiled' or bloodily forensic, is essentially sentimental, for most crime writers are disappointed romantics.
Scandinavian crime fiction has become a great success all across the world and rightfully so. Sjowall and Wahloo ushered in a whole generation of Swedish crime writers, many of whom are now available in English.
I've always loved science fiction. I think the smartest writers are science fiction writers dealing with major things.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Lawyers, doctors, plumbers, they all made the money. Writers? Writers starved. Writers suicided. Writers went mad.
Crime fiction makes money. It may be harder for writers to get published, but crime is doing better than most of what we like to call CanLit. It's elementary, plot-driven, character-rich story-telling at its best.
Writers, at least writers of fiction, are always full of anxiety and worry.
Fiction needs writers and readers, and writers should cultivate both.
I give this book 5 Stars and highly recommend it to all fiction, nonfiction, and poetry writers, aspiring writers, bloggers or journalists.
Steve Mosby has become one of a handful of writers who make me excited about crime fiction.
My liking for Scandinavian crime fiction led me into exploring literary writers from the same countries.
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